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After the whole situation, dying Emi keeps her unconscious son on her knees and sings him the last lullaby. Later, a scene is shown in which Baki keeps his
mother on her back and walks with her through the city. They talk to each other and joke like a loving family. However, after a while, it turns out that it all happens only in the imagination of a boy who, in fact, carries his dead mother on his back, and all the people around him are in shock. He's being held up by cops who
want him to leave the dead woman. Baki doesn't agree, knocks out the cops, and runs off with his mother on his back. Later it turns out that he leaves her dead body on some meadow. In the anime, the whole scene is presented in a quite different way. Baki also imagines that he keeps his living mother on his back, but after a while, it turns out that he goes through the city alone. A police officer also stops him there, but then detective Kido comes in and tells him to leave Baki alone. Later, Baki decides to go on a long journey to meet powerful opponents to fight.
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It has aired numerous times on Australian FTA station SBS. [83] In the United Kingdom, the film aired several times on BBC Two between 1994 and 1997. [84] Reception[edit] Critical response[edit] On review aggregator Rotten Tomatoes the film has an approval score of 91% based on 54 reviews, with an average rating of 7. 9/10. The site's critical consensus reads, "Akira is strikingly bloody and violent, but its phenomenal
animation and sheer kinetic energy helped set the standard for modern anime. "[85] From contemporary reviews, Tony Rayns commented in The Monthly Film Bulletin that the narrative was paced at such "speed and complexity" that "viewers who come to it without prior knowledge of the manga (comic-strip) version tend to find it almost overpowering" concluding that "The film virtually demands to be 'read' alongside the manga, and amounts to a kind of commentary on it. "[86] Discussing the story, Rayns found the film "not particularly ground-breaking as science fiction" comparing the film to be between Blade Runner and 2001: A Space Odyssey with the film's main achievement being "the sheer credibility of his vision of future-tech, as seen in fully thorough designs of vehicles, laboratory equipment" and that the film "yields some extremely arresting images in the film's closing scenes" and that "Simply as animation, Akira is an undoubted tour de force. "[87] Variety praises aspects of the film "from the imaginative and detailed design of tomorrow to the booming Dolby effects on the soundtrack" but criticizes the "slight stiffness in the drawing of human movement". [88] Chicago Tribune's Dave Kehr commends Otomo's "excellent animation-specific ideas: Vehicles leave little color trails as they roar through the night, and there are a number of dream sequences that make nice use of the medium's ability to confound scale and distort perspective". [89] From retrospective reviews, Anime News Network's Bamboo Dong commends the Limited Edition's DVD for its "superbly translated" English subtitles and the commendable English dubbing, which "sticks very close to the English translation, and the voice actors deliver their lines with emotion". [90] THEM Anime's Raphael See
applauds the film's "astounding special effects and clean, crisp animation".
