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Anime News Network. Archived from the original on May 1, 2020. Retrieved May 3, 2020. Clements, Jonathan; McCarthy, Helen (November 1, 2006). "Déjà Vu All Over Again?: Cowboy Bebop's Transformation to the Big Screen". The Anime Encyclopedia: A Guide to Japanese Animation Since 1917. Stone Bridge Press. ISBN 978-1933330105. Camp, Brian; Davis, Julie (September 15, 2007). Anime Classics Zettai!: 100 Must-See Japanese Animation Masterpieces. Stone Bridge Press.[68] It won a Harvey Award for Best American Edition of Foreign Material in 1993,[69] and was nominated for a Harvey for Best Graphic Album of Previously Published Work in 2002. In 2002, Akira won the Eisner Awards for Best U. S. Edition of Foreign Material and Best Archival Collection. [70] The 35th anniversary edition won Best Archival Collection again at the 2018 Eisner Awards, in addition to Best Publication Design. [71] Critical reception[edit] Akira is credited with having introduced both manga and anime to Western audiences. [23] According to Kodansha USA's Naho Yamada, "Akira ignited a new generation of dynamism not only in manga but also in European and American comics. Its impact shattered all borders. "[72] The Essential Guide to World Comics states that the translation of the work into French in 1991 by Glénat "opened the floodgates to the Japanese invasion. "[73] The imagery in Akira, together with that of Blade Runner, formed the blueprint for similar Japanese works of a dystopian nature of the late 1990s, such as Ghost in the Shell and Armitage III. [24] Yamada also said that "Otomo jacked into his generation's frustration with society, in the wake of the defeat of Japan's liberal student movement, and created an epic that, in true Japanese fashion, processed societal trauma through cataclysmic visual symbolism.
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