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The backgrounds show us the backdrop of urban decay, rather than just flat out telling us. The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why. It was truly a legendary team of people producing a passion project from start to finish, with the art director Yuji Kaneko, numerous elite episode directors and storyboarders in Haruka Fujita, in which it’s her first work outside of Kyoto Animation, Kai Ikarashi, who worked on Cyberpunk: Edgerunners as well as the Turning Point episode of Mushoku Tensei, and also Toshimasa Ishii, who directed 86: Eighty-Six. I would also love to shout out Hirotaka Mori, since it was his directorial debut in the anime sphere.
The characters were quite a strong part of the series as well, with Kiruko and Maru’s relationship and chemistry being quite the highlight of the show. The dialogue between them felt quite natural and organic, like bros just having a great time together, rather than forcing romance into the dynamic in a contrived manner. That said, as this show has quite a focus on human nature, there is an element of romance there, but it’s more that the show tries to explore human emotions, sexuality, and gender, so how the relationship is handled is quite natural and interesting to watch. They both have past traumas, and I have stated in my past reviews about my disdain for “sob story backstories”— but when an anime can build upon the traumatic past with developments in the present time, it can work well. In this case, it was handled quite well in this anime to create a coming of age narrative for the protagonists, as they tried to find meaning in this mess of a world they found themselves in.

In this bleak world devoid of hope for reproduction, surviving groups consist exclusively of women. 56. Uchi no Maid ga Uzasugiru! The series centers on Tsubame Kamoi, a former JASDF pilot with an attraction to young girls, who becomes a maid to care for Misha Takanashi, a Russian girl dealing with the recent loss of her mother. Throughout the storyline, Misha grapples with Tsubame’s questionable behavior while occasionally finding positive aspects in their relationship. 55. Miyuki-chan in Wonderland The anime follows Miyuki, a young high school student who repeatedly gets engulfed by mysterious worlds, each presenting various challenges for her to overcome in order to return.

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Retrieved January 11, 2020. ^ Pineda, Rafael Antonio (May 21, 2020). "Haikyu!! To The Top Anime's 2nd Half Delayed Due to COVID-19". Anime News Network. Archived from the original on June 5, 2023. Retrieved June 9, 2020. ^ Kurten, Guillermo (December 18, 2019). "Haikyuu!!: 10 Things That Make It A Great Anime, Even For Non-Sports Fans". Comic Book Resources. Archived from the original on June 9, 2020. Retrieved June 9, 2020. ^ "Akira 2020 Re-release (Japan)". Box Office Mojo. Archived from the original on February 9, 2024. Retrieved October 7, 2020. ^ a b c d e f "Akira". 25th Frame. Archived from the original on February 9, 2024. Retrieved December 7, 2020. ^ a b "Akira". Salty Popcorn: The Movie Database. Archived from the original on April 24, 2023.

It sets up a state of tragedy that deals with life and death. The demons in this show are devices created with the purpose to generate fear, the type of feeling that viewers needs to experience when watching a dark fantasy. Often these days, I find myself feeling bored when watching dark fantasies when it relies too much on relationship developments. Instead, Kimetsu no Yaiba elegantly tells a story that’s straightforward yet meaningful to deliver its premise. We meet main protagonist Tanjiro Kamado, a determined demon slayer who stops at nothing to help find a cure for his sister, Nezuko. The first few episodes establishes their important character relationship as even with Nezuko being a demon, he refuse to kill her. In return, Nezuko uses her own skills to help Tanjiro when he is in trouble fighting demons on his own. Early episodes also shows Tanjiro learning the ropes as a demon slayer. The anime makes it clear about the reality of their world where death is common and can happen in the brink of an eye. If you don’t believe me, just take a look at what happens to Tanjiro’s family. With such a tragic setup, the anime seeks to bring hope for Tanjiro and his journey to make things better for his only remaining family.