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Natalie. Natasha, Inc. 2019-02-22. Retrieved 2021-02-05. ^ "好きな子がめがねを忘れた" (in Japanese). 2018-04-23. Retrieved 2021-01-28. ^ "Suki na Ko ga Megane wo Wasureta". MyAnimeList. net. Retrieved 2022-08-17.

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^ 幽遊白書 — オリジナル・サウンドトラック 2 [Yū Yū Hakusho Original Soundtrack 2] (in Japanese). Archived from the original on March 25, 2012. Retrieved December 3, 2009. ^ 「幽遊白書」~ミュージックバトル編 [Yū Yū Hakusho Music Battle Volume] (in Japanese). Archived from the original on March 23, 2020. Retrieved December 3, 2009. ^ 「幽★遊★白書」スーパーカヴァーズ [Yū Yū Hakusho Super Covers] (in Japanese). CDJournal. Archived from the original on November 23, 2011. Retrieved October 15, 2011. ^ 「幽★遊★白書」~スーパーダンスミックス [Yū Yū Hakusho Super Dance Mix] (in Japanese). [52] Anime[edit] THEM Anime Reviews called the anime adaptation "complex" and "beautiful", stating that it features "sophisticated storytelling and complex plot weaving, memorable characters, godly production values and excellent pacing". [53] Darius Washington of Otaku USA named Monster one of the ten best anime of the past decade. [54] Carl Kimlinger enthused that "It cannot be overstated how brilliantly apart from the anime mainstream this unsettling, fiercely intelligent, and ultimately uncategorizable journey into darkness is. "[55] He praised Madhouse's animation for not only keeping up the dark "cinematic quality of Urasawa's art" but also improving on it, as well as Kuniaki Haishima's score for adding "immeasurably to the series' hair-raising atmosphere. "[56] Though he noted Viz Media's inability to acquire the original ending theme song due to licensing problems, Kimlinger also called their English dub of the series one of the best in recent memory. [56] Kimlinger praised the series, for "its fidelity to Naoki Urasawa's original manga", commenting that "there isn't a scene left out, only a handful added in, and as far as I can tell not a line of dialogue changed or omitted. Given its faithfulness, fans of the manga will know that the series won't get any better than this, this is as good as the series gets. " As well as for its frequent habit of giving the spotlight to newly introduced characters instead of the main cast. [55][56] He also described the ending of the series as, "we feel vaguely let down when what we should really be doing is glorying in the somewhat messy, yes, but exhilarating final throes of one of last decade's great series". Nonetheless, he considered such an ending to be expected, since "as ambitious and complicated and just plain huge as Monster is, no conclusion is going to be entirely satisfactory. Someone is bound to get short-changed, loose ends are bound to be left dangling, and even if they weren't, the simple truth is that no climax could ever live up to the series' build-up".
Once Wally regained consciousness Ippo, Miguel, and Dankichi walked out of the ring with Wally. They stayed with Wally as he became hospitalised and unconscious afterwards. Ippo hitting the mitts with Kamogawa. When Ippo came back to Japan, he went to the Kamogawa gym to see Kamogawa. Ippo informed Kamogawa that he learned a lot and had many feelings from his trip to Mexico. He added that he noticed that there wasn't enough time for Wally to prepare for a world title match, and that Sendō claimed that he didn't have enough bloodlust, and he thought that the atmosphere was too relaxed.