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-Episode 6 of Darling in the FranXX has
been compared to episode 8 of Gurren Lagann. Which makes perfect sense, since Atsushi Nishigori (the director of Darling in the FranXX) was the director for episode 8 of Gurren Lagann, but this brings up a more serious issue: why is Nishigori reusing old ideas from over ten years ago? Not
only that, but why is episode 6 of Darling in the FranXX a worse rendition of his earlier work (he couldn’t come up with improvements in all these years)?
-Episode 13 is a reverse retelling of Beauty and the Beast — in fact, the title of the episode is The Beast and the Prince (they’re not even attempting to disguise their intentions at this point).
-Episode 20 we find out that VIRM wants to annihilate the klaxosaurs who retreated underground, similar to the spirals (who lived underground) fighting the anti-spirals in Gurren Lagann.
-Mecha’s transforming to absurd levels of scale and power like Gurren Lagann.
-Instrumentality, much?
Then comes the real “butt” of my issue with this series, and this concerns the “doggy-styled” positions the girls must assume to pilot their Evangelions — I mean, their FranXX’s. It’s one thing to engage the viewer through needless fan-service, but there are limits one can go before coming off as ridiculous.
Kill la Kill, another studio Trigger production, already ingratiated the anime community to the concept of excessive lasciviousness, the difference being: they did so with a self-deprecating tone. This show, on the other hand, is treating the matter with solemnity; and sure, they attempt to shoehorn in a half-assed explanation, but the whole immortality subtlety doesn’t fit well with the predetermined conclusion. Immortality, as a concept, lends itself to numerous paths of intrigue about the overall worth of life, the monotony of existence, and the deterioration of cognitive faculties. Alas, Darling in the FranXX (i. e.
Both musicals have received separate DVD and audio CD releases, as well as a dual DVD release
from Marvelous Entertainment. [88][93][94] There is also a live-action play titled Real Stage Hunter × Hunter: "A Longing for Phalcnothdk ~ A Spider's Memory ~", which was performed 16 times at the Theater Sun-mall in Shinjuku, Tokyo during August 2004. [95][96][97] The play is a retelling of the Phantom Troupe finale in the Yorknew City arc. It received a DVD release in
Japan on December 10, 2004. [95] Video Games Main article: List of Hunter × Hunter Video Games There are ten Japan-exclusive video games based on Hunter × Hunter, many of which are either developed or published by Konami or Bandai. They range from role-playing and strategy games to action and adventure games.
Initially he
does not attempt to be heroic or protect the innocent, though his self-motivated actions sometimes do so incidentally. [82][83] However, as the story progresses, it is shown that he is in fact a person who is deeply conflicted internally. [84][85] His tragic and traumatic past, unfolded in the Golden Age arc, shows Guts as a more complex character. [86][82][80] Anne Lauenroth of Anime News Network wrote that Griffith is "not evil at all," but "arrogant and brutally realistic about human nature. " The suppression of his own human nature would initiate his demise as the
Hawk and the rise of Femto. [79] Friendship, comradery and human relations are other explored themes.
