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"member of society yuri") as a subgenre focused on stories involving adult women. [61] The growth of digital platforms like Pixiv, Twitter, and Shōsetsuka ni Narō allowed for the creation and widespread distribution of yuri works outside of traditional manga magazine and dōjinshi publishing: My Lesbian Experience With Loneliness (2016) was originally published as a web comic, while the yuri fantasy works Sexiled (2018–2019), Roll Over and Die (2018–present), and I'm in Love with the Villainess (2018–present) began as web novels on Shōsetsuka ni Narō before being adapted into other mediums. [61] Yuri stories by openly lesbian creators also became more prominent, such as My Lesbian Experience With Loneliness. [62] Concepts and themes[edit] Intimacy between women[edit] Yuri as a genre depicts intimate relationships between women, a scope that is broadly defined to include romantic love, intense friendships, spiritual love, and rivalry. [63] While lesbianism is a theme commonly associated with yuri, not all characters in yuri media are necessarily non-heterosexual; Welker states that the question whether yuri characters are lesbians is a "very complicated issue. "[64] Characters in yuri works frequently do not define their sexual orientation in explicit terms, and the matter is instead left to reader interpretation.

Le style de Kung-fu de Shaolin pour le feu - Les postures sont larges, les déplacements amples, les techniques s'enchaînent sans temps mort, la force alternant à la souplesse à l'instant de l'impact. L'accent est mis sur la coordination des mouvements avec la taille. Le style Baguazhang pour l'air - Recherchant la décontraction et la fluidité dans le geste (avec une préférence manifeste pour l'utilisation de l'énergie et un refus de la force physique), le Bagua se distingue par l'utilisation marquée de la paume de main et par des déplacements circulaires, des rotations. Le Ba Gua est à la fois un art martial fondé sur une stratégie du combat originale (une stratégie du contournement et de l'enroulement), une gestuelle de santé (une thérapeutique énergétique) et une discipline spirituelle fondée sur la répétition du pas glissé. Le style de Kung Fu Hung Gar pour la terre - Il est surtout connu pour ses positions basses et stables, ses attaques puissantes principalement développées avec les membres supérieurs, de nombreux blocages et aussi le travail de l'énergie interne. Toph Beifong utilise quant à elle un style particulier, dérivé du style Chu Gar de la Mante Religieuse du Sud (Tang Lang Quan) Épisodes[modifier | modifier le code] Article détaillé : Liste des épisodes d'Avatar, le dernier maître de l'air. Suites[modifier | modifier le code] La Légende de Korra[modifier | modifier le code] La Légende de Korra est la suite d'Avatar : Le Dernier Maître de l'Air. Le projet porté par Michael Dante DiMartino et Bryan Konietzko a pour héroïne Korra, une adolescente rebelle qui accueille l'esprit du nouvel Avatar, 70 ans après la première série. Elle devra se rendre à la Cité de la République pour recevoir un enseignement sur la maîtrise de l'air, dispensé par le fils d'Aang et de Katara. Elle se rendra alors compte qu'un mouvement anti-maîtrise des éléments s'est développé dans la ville[33]. Cette suite comporte un total de 52 épisodes.

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Archived from the original on February 1, 2017. Retrieved March 30, 2015. ^ a b "One Piece". Media Arts Database (in Japanese). Agency for Cultural Affairs. Archived from the original on April 3, 2017. Retrieved April 2, 2017. ^ 「One Piece」ワノ国編のBGM演奏は和楽器演奏集団・桜menが担当(コメントあり). Comic Natalie (in Japanese). Natasha, Inc. Archived from the original on August 11, 2019.