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[144] In June 2015, the first volume clocked in at its 100th week on the top 10 chart,[145] having sold 2. 5 million copies. [146][147] It also currently holds the title of appearing on the list for a volume with 121 weeks. [148] Volume one was also number one on Nielsen BookScan's list of top 20 graphic novels in American bookstores for October 2013,[149] and for the month of September, the series had more volumes on the list than any other series. [150] The following table lists the annual content revenue from Attack on
Titan media in Japan. Year Media content revenue in Japan Notes[c] Ref 2013 ¥14,700,000,000 ($151,000,000)
Physical and digital media [151] 2014 ¥13,000,000,000 ($123,000,000) Physical and digital media [152] 2015 ¥7,308,359,519 ($60,377,697) Physical media only [153] 2016 ¥3,845,406,579 ($35,346,117) Physical media only [154] 2017 ¥4,196,052,143 ($37,409,258) Physical media only [155] 2018 ¥3,137,123,693 ($27,968,544) Physical media only [156] 2019 ¥2,598,783,077 ($23,839,933) Physical media only [157] 2020 ¥2,460,695,769 ($23,045,707) Physical media only [158] 2013 to 2020 ¥51,246,420,780+ ($482,716,387+) Critical response Many have analyzed Attack on Titan as representing "the hopelessness felt by young people in today's society". [2] Writer Mao Yamawaki called it a "coming-of-age story of the boys and girls at its core", with a new mystery every episode. It is these mysteries that critic Tomofusa Kure said amplifies readers' expectations. The artwork of the manga has been
criticized as crude by some reviewers, with Isayama himself admitting his drawings are "amateurish". However, those same critics stated that after years of serialization, the art has been improving, and Kure believes that had the illustrations been "refined", it would not have conveyed the "eeriness" that is a key
characteristic of the work. [2] In a short review, Jason Thompson noted how the characters conveniently receive "power-ups" to create plot twists, but concluded that these plot twists and the manga's post-apocalyptic world are "too good to miss".
[108] The third book, Bleach: Official Character Book 2: MASKED, was released on August 4, 2010. This book covers details about characters that appear 100 years prior to the story, such as former captains and lieutenants, along with the Arrancars and Visoreds. Although it was released on the same day as volume 46, Back From Blind, the book only covers material up to volume 37, Beauty Is So Solitary. [109] The English version was released by Viz Media on March 6, 2012. [110] A fourth book, Bleach: Official
Invitation Book The Hell Verse, was given to the first one
million movie-goers of Bleach: Hell Verse on December 4, 2010. It contains character sketches, promotional posters, and the one-off Hell manga special. [111] A fifth book Bleach: Official Character Book 3: UNMASKED, was released on June 3, 2011, the same day as the volume 50 of the series. However it only covers material up to volume 48, God is Dead. [112] On June 4, 2012, a sixth book was released under the name Bleach: The Rebooted Souls. This free booklet was distributed with Bleach manga volume 55, with the aim to provide information to readers about the manga's final arc, The Thousand-Year Blood War. [113] The seventh book, BLEACH 13 BLADEs.
Crunchyroll. Archived from the
original on December 21, 2021. Retrieved December 21, 2021. ^ Ressler, Karen (
November 12, 2014). "Japanese Comic Ranking, November 3–9". Anime News Network.
