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[9][10] On 15 June 2023, it was confirmed at the Annecy International Animation Film Festival that the seventh season of the show was in the works, though a release date has not been announced yet. [11][12] On 17 February 2021, Cartoon Network revealed that a television film based on the series was in development. [13] On 21 September 2021, it was announced that a new spin-off series, to be a follow-up for both the show and the movie, had been greenlit for Cartoon Network and HBO Max alongside the film. [14] On 22 August 2022, it was reported that the film would no longer be heading to HBO Max, but would be shopped to other outlets instead. [15][unreliable source?] Premise Further information: List of The Amazing World of Gumball characters The series revolves around the life of a 12-year-old cat named Gumball Watterson and his frequent shenanigans in the fictional American city of Elmore, accompanied by his adopted goldfish brother and best friend Darwin. Gumball's other family members—his intellectual sister Anais and stay-at-home father Richard, both rabbits, and workaholic mother Nicole, a cat—often find themselves involved in Gumball's exploits.

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And nowhere is that more evident than with Akame ga Kill! With just one episode, it manages to establish a myriad of things, all of . which interesting in their own right, but perhaps more entertaining when viewed as a whole. There's comedy, fanservice, ultraviolence, corrupt politics, eccentric characters, melodrama, and a sleuth of other tidbits littered throughout. All of these aspects by themselves are fine, but it's the assembly in which these ideas are presented that gives way to content that's comedically problematic.
Like ingredients for food, it's not a matter of what you have to work with but what you choose to make out of it. In the hands of capable creators, I'm sure all the elements of Akame ga Kill could have been turned into something of high-end value, but to no one's fault but its own, what this title decides to do instead of measuring out its ingredients was to dump it all in at once with no rhyme or reason. A tasty stew in the hands of credible creators was effectively turned into a cauldron of foul witches brew. A slimy substance bubbling up, one that sees gruesome deaths followed by comedic fanservice, politics served on a platter layered in melodrama, reanimated corpses of shows prior refusing to die off, their festering lack of "character" like primordial ooze, desperately seeking out originality to munch down on. A Schlocky, sleazy freak of a thing, over-the-top, and violently lashing out, its drool dripping with hackneyed writing and a complete disregard for decency as it spazzes about on the floor. However, what tropes of Shonen it established and utilised, it at least performed them better than most, if not all, Shonen to copy it's formula thereafter such as Yu Yu Hakusho and Bleach. Along with having some pretty likeable and unique characters, it deserves a place amongst the good Shonen titles.
Overall ranking - 6/10 Reviewer’s Rating: 6 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by ChouEritto (29) Show allRead moreShow lessOpen Gift Report Dec 10, 2020 lethargilistic Not Recommended This is a hard one for me to write about because I started watching it about 6 months ago and my memories of the earlier episodes I enjoyed have faded. I remember thinking the Galaxian Wars arc was fun and a nice introduction to the characters. There was just enough there that was a different, cool twist on this sort of show's formula to keep me interested. I started using this show as kind of a "start the day with an easy episode of X" thing.
Then the arc with Phoenix Ikki as the Big Bad started up and I remember thinking that was hype. It . was a cool brother against brother story with simple, significant stakes.
[70][43] It surpassed Weathering with You to become the biggest three-day opening for a Shinkai film. [71] In Japan, it is the fourth-highest-grossing film of 2022,[72] the ninth-highest-grossing anime film of all time, and the 15th-overall highest-grossing film of all time. [73] In China, Shinkai participated in marketing activities in Beijing and Shanghai from March 16 to 20, becoming the first foreign film director to travel to mainland China for promotions since the emergence of COVID-19, fueling the popularity of Suzume in China. [74] The film grossed US$82. 27 million in its first ten days in China. [75] It surpassed the box office of Your Name and became the highest-grossing Japanese film in the country.