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In the school's brutally competitive hierarchy, Satsuki bestows upon those at the top special clothes called "Goku Uniforms," which grant the wearer unique superhuman abilities. Thoroughly beaten in a fight against one of the students in uniform, Ryuuko retreats to her razed home where she stumbles across Senketsu, a rare and sentient "Kamui," or God Clothes. After coming into contact with Ryuuko's blood, Senketsu awakens, latching onto her and providing her with immense power. Now, armed with Senketsu and the Scissor Blade, Ryuuko makes a stand against the Elite Four, hoping to reach Satsuki and uncover the culprit behind her father's murder once and for all. [Written by MAL Rewrite] StudioTrigger SourceOriginal ThemesSchoolSuper Power 8. 03 1. 7M Add to My List Shokugeki no Souma 1632914 8. 14 20150404 Shokugeki no Souma TV, 2015Finished 24 eps, 25 min Gourmet Ecchi Shokugeki no Souma Souma Yukihira has been cooking alongside his father Jouichirou for as long as he can remember. As a sous chef at his father's restaurant, he has spent years developing his culinary expertise and inventing new dishes to amaze their customers. He aspires to exceed his father's skill and take over the restaurant one day, but he is shocked to learn that Jouichirou is closing up the shop to take a job in New York. Rather than tagging along with his father, Souma finds himself enrolling at the prestigious Tootsuki Culinary Academy, where only 10 percent of its students end up graduating.

09 ↑ « Le Tombeau des lucioles », sur Allociné. ↑ « Meilleurs films de tous les temps selon les spectateurs », sur Allociné. ↑ a b c d et e Voir le rapport sur le site Allociné. ↑ Antoine Bourguilleau, « Tout ce que l'on ne voit pas dans Le tombeau des lucioles », sur Slate, 8 mai 2018 (consulté le 8 mai 2018). Annexes[modifier | modifier le code] Sur les autres projets Wikimedia : Le Tombeau des lucioles, sur Wikimedia CommonsLe Tombeau des lucioles, sur Wikiquote Bibliographie[modifier | modifier le code] Xavier Kawa-Topor et Ilan Nguyen, Le Tombeau des Lucioles d'Isao Takahata, édition CNC, coll. « Dossier collège et cinéma » (no 149), 2005 Gilles Ciment (entretien avec Isao Takahata sur Le Tombeau des lucioles), « L'animation et le réel », Positif, nos 425-426,‎ juillet-août 1996 (lire en ligne) Articles connexes[modifier | modifier le code] Évacuations des civils au Japon pendant la Seconde Guerre mondiale Studio Ghibli Liens externes[modifier | modifier le code] Site officiel Ressources relatives à l'audiovisuel : AllMovie Allociné Centre national du cinéma et de l'image animée Ciné-Ressources Cinémathèque québécoise Filmweb. pl IMDb LUMIERE Movie Review Query Engine OFDb Rotten Tomatoes The Movie Database Ressource relative à plusieurs domaines : Metacritic Notices d'autorité : VIAF Catalogne (en) Le Tombeau des lucioles (anime) sur Anime News Network Le Tombeau des lucioles sur Buta-Connection. net v · mStudio Ghibli Époque pré-Ghibli Topcraft Horus, prince du Soleil (1968) Panda Petit Panda (1972) Panda Petit Panda : Le Cirque sous la pluie (1973) Le Château de Cagliostro (1979) Kié la petite peste (1981) Goshu le violoncelliste (1982) Nausicaä de la Vallée du Vent (1984) Longs métrages Le Château dans le ciel (1986) L'Histoire des canaux de Yanagawa (TV, 1987) Mon voisin Totoro (1988) Le Tombeau des lucioles (1988) Kiki la petite sorcière (1989) Souvenirs goutte à goutte (1991) Porco Rosso (1992) Je peux entendre l’océan (TV, 1993) Pompoko (1994) Si tu tends l’oreille (1995) Princesse Mononoké (1997) Mes voisins les Yamada (1999) Le Voyage de Chihiro (2001) Le Royaume des chats (2002) Le Château ambulant (2004) Les Contes de Terremer (2006) Ponyo sur la falaise (2008) Arrietty : Le Petit Monde des Chapardeurs (2010) La Colline aux coquelicots (2011) Le vent se lève (2013) Le Conte de la princesse Kaguya (2013) Souvenirs de Marnie (2014) La Tortue rouge (co-production, 2016) Aya et la Sorcière (co-production, TV, 2020) Le Garçon et le Héron (2023) Courts métrages Sora iro no tane (en) (1992) Nandarō (en) (1992) On Your Mark (1995) Ghiblies (2000) La Chasse à la baleine (2001) La Grande Excursion de Koro (2002) Ghiblies Episode 2 (2002) Mei to Konekobasu (2002) Kūsō no sora tobu kikaitachi (2002) À la recherche d'une maison (2006) Taneyamagahara no yoru (2006) Le Jour où j'ai cultivé une étoile (2006) Monomon l'araignée d'eau (2006) Iblard Jikan (2007) Les Souris sumo (2010) Pandane to tamago hime (2010) Takara Sagashi (2011) Giant God Warrior Appears in Tokyo (2012) Boro la petite chenille (2018) Personnel Fondateurs : Hayao Miyazaki Isao Takahata Principal producteur : Toshio Suzuki Principaux collaborateurs : Joe Hisaishi Yoshinori Kanada Katsuya Kondō Yoshifumi Kondō Kitarō Kōsaka Gorō Miyazaki Hiroyuki Morita Kazuo Oga Yasuo Ōtsuka Hiromasa Yonebayashi Tōru Hara Makiko Futaki Nizō Yamamoto Personnages Nausicaä Totoro Susuwatari Ashitaka San Autres Ni no kuni : La Vengeance de la sorcière céleste (co-développeur, 2010) Ronja, fille de brigand (co-production, 2014–2015) Mary et la Fleur de la sorcière (2017) Héros modestes (2018) Tomorrow's Leaves (2021) Musée Ghibli Parc Ghibli Ghibli Museum Library Box-office des films d'animation des studios Ghibli Studio Ponoc Portail du Studio Ghibli Portail du cinéma japonais Portail des années 1980 Portail de l'animation et de la bande dessinée asiatique Portail de la Seconde Guerre mondiale Portail du Studio Ghibli Ce document provient de « https://fr. wikipedia. org/w/index. php?title=Le_Tombeau_des_lucioles&oldid=211801335 ».

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An animated film was released in Japanese theaters on November 21, 2015. [6][7] A six-part theatrical anime series premiered in 2017. [8] Story[edit] See also: List of Girls und Panzer characters Setting[edit] The story takes place in a world where historical World War II–era tanks are maintained for sport-style warfare competitions and large carrier ships, known as Academy Ships, support mobile sea communities. Of the many activities high school students can participate in, one of the most popular is "sensha-dō" (戦車道, lit. "the way of the tank"),[FN 1] the art of operating tanks, which is considered a traditional martial art for females. Plot[edit] Miho Nishizumi, a girl from a prestigious family of sensha-dō practitioners who became traumatized by a past event, transfers to Ōarai Girls High School to get away from sensha-dō, as she presumed the school was no longer practicing the sport. However, shortly after Miho begins her new school life and makes some new friends, the student council announces the revival of sensha-dō at Ōarai and coerces Miho, the only student with prior experience, to join. While reluctant to join at first, having practically been forced, Miho soon warms up to sensha-dō and they enter a national championship, facing off against various other schools, in a competition that becomes a serious matter after Miho and the others learn that their school will be closed should they not win. [10] The spin-off manga Girls und Panzer: Little Army follows Miho in her elementary school days as she participates in sensha-dō alongside her friends Emi, Hitomi, and Chihiro. Media[edit] Anime[edit] See also: List of Girls und Panzer episodes, Girls und Panzer: This Is the Real Anzio Battle!, Girls und Panzer der Film, and Girls und Panzer das Finale Girls und Panzer aired its first episode in Japan on Tokyo MX on October 9, 2012, TV Osaka and TV Aichi on October 11, BS11 on October 14, and AT-X on October 17,[11] and concluded on March 25, 2013, with 12 episodes. [12] The anime series was produced by Actas and directed by Tsutomu Mizushima from a series composition written by Reiko Yoshida. Newtype. Archived from the original on September 19, 2008. Retrieved September 19, 2008. ^ "頭文字(イニシャル)D VOLUME-1". Oricon. Archived from the original on January 1, 2019. Retrieved December 30, 2018. ^ "頭文字<イニシャル>D 45". Oricon. Archived from the original on January 5, 2019. Retrieved December 30, 2018.
Sama Sama is basically the intense version of san. Like san, it’s gender-neutral, but it holds a much higher degree of deference. As such, it’s often used to reflect social rank and tacked onto people like kings (“Bossu-sama,” like the king in Ranking of Kings), princesses (“hime-sama” – think Zelda), or god (“kami-sama,” like God Eneru in One Piece). In a true one-sentence summation of the vibe of Japanese customer service, it’s also often used to refer to guests in restaurants, hotels, and other hospitality situations (you’ll now notice “okyakusama” all the freaking time). Sensei Sensei literally means “teacher. ” As such, it’s a plain old noun, but it’s also an honorific.