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"Tomodachi game" or the friendship games, for some reason the title caught my attention and immediately became the anime I was most looking forward to this season for which I hadn't read the manga. And when . the first chapter arrived I was not disappointed at all.Story - 10/10
The story is about a group of 5 friends who one day are kidnapped and taken to participate in something called "Tomodachi game" this because one of their friends had a debt of 20 million yen, therefore to pay it they have to Participate in different games where your debt will be reduced or in some cases increased, what happens is that in these games two factors are tested "money and friendship" What is more important to you? Money? 'Friendship? Would you be willing to lose millions of yen just to save your friends? Do you trust that they would do the same? That's what the Tomodachi Games prove. Each of the games taking place this season proves that and each one changes some factor but leads to the same question. And it is and incredible ride to watch.
Art 7/10
The art is the worst part of the anime and if it is quite mediocre to say the least compared to the manga, although the character design is very faithful to the manga, the animation is bad. I think this is due to the small budget that the animation studio has since it is a studio with little renown that took its first big manga to adapt without having a big budget. The reason I give it a 7 is because they did the best they could and stayed true to the manga with the small budget.
09. [63] The plot also combines elements of esotericism and mysticism of the Jewish Kabbalah,[65][66] including the Angels, which have common and individual features with the Angels of the religious tradition,[67] such as Sachiel, Sandalphon and Ramiel. [68][69] Assistant director Kazuya Tsurumaki stated the religious visual references were intended to make the series more "interesting" and "exotic" for a Japanese audience,[70] denying the existence of a religious meaning for the use of Christian visual symbols in the show. [71] According to Anno, "as the symbols are mixed together, for the first time something like an interrelationship or a meaning emerges". [72] According to Patrick Drazen, numerous allusions to the Kojiki and the Nihongi have a prominent role in Evangelion, along with the Shinto vision of the primordial cosmos and the mythical lances of the Shinto deities Izanagi and Izanami. [73] Elements of the Judeo-Christian tradition also feature prominently throughout the series, including references to Adam, Lilith, Eve, the Lance of Longinus,[74] the Dead Sea Scrolls,[75] the Kabbalistic concept of Adam Kadmon, and the Tree of Life. [73] The merging of all human souls into one through the Human Instrumentality Project at the end of the series has been compared to the Kabbalistic concept of tikkun olam. [76] The Evangelions have been likened to the golem of Jewish folklore,[46] and their visual design resembles the traditional depictions of oni, Japanese demons or ogres. [77] Neon Genesis Evangelion has been interpreted as a deeply personal expression of Hideaki Anno's own emotional struggles with depression. [46] During the production of the series, he became interested in mental illness and psychology. [52] According to him, Rei is a schizophrenic character[78] and a representation of Shinji's unconscious,[72] while Shinji has an Oedipus complex[79][80][81] and is characterized by a libido-destrudo conflict.
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