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A special friend like you deserves a night filled with stars that shine just as brightly as your personality. May your dreams be as colorful and wonderful as our time together. Sleep well and wake up with the same zest for life. In life, success is not always measured by how big you can dream. Real success is often measured by the number of friends you can share your dreams with. Good night my friend.

24 eps • 2003–200424 episodes • 2003–2004Yûko SatôLust24 eps • 2003–200424 episodes • 2003–2004Mike McFarlandJean Havoc. 23 eps • 2003–200423 episodes • 2003–2004Ed BlaylockKing Bradley. 23 eps • 2003–200423 episodes • 2003–2004Yasunori MatsumotoJean Havoc.

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In general, he was skeptical that depictions of suffering in similar works, such as Barefoot Gen, actually prevent aggression. The director was nevertheless an anti-war advocate, a staunch supporter of Article 9 of the Japanese Constitution, and has openly criticized Japan's penchant for conformity, allowing them to be rallied against other nations. He expressed despair and anxiety whenever the youth are told to fall in line, a reminder that the country at its core has not changed. [29] Despite the public's emotional reaction, Takahata expressed that the purpose of the film was not to be a tragedy or make people cry. [30][31] Moreover, he regretted depicting Seita as a boy from that era because he wanted him to come off as a contemporary boy who acted like he had time-traveled to the period. He didn't intend for it to be retrospective or nostalgic. He wanted the Japanese audience to be weary of Seita's behavior. [30] Furthermore, he says that his decision to show the audience that Seita and Setsuko have died at the beginning of the movie is to protect the audience from heartbreak, "If an audience knows at the beginning of the film that the two will eventually die, they are more prepared to watch the film in the first place. I try to lessen an audience's pain by revealing everything at the beginning. "[15][16] The fireflies in the film are portrayed as symbols of various themes such as the spirits of the lost children, the fires that burned the towns, Japanese soldiers, the machinery of war, and the regeneration of life through nature. [21] Okypo Moon states in her essay "Marketing Nature in Rural Japan", that hundreds of fireflies were caught nightly in the 1920s and 1930s. 4% To Tanjiro's and Kotetsu's disappointment, the sword is tarnished. Hotaru arrives, now extremely muscular from solitary training in order to improve himself. Intending to restore the ancient sword, he gives Tanjiro a spare blade. Tanjiro later attempts to befriend Genya but is rebuffed, though he notices Genya had regrown a lost tooth. Unbeknownst to all, Gyokko and Hantengu have infiltrated the village. Hantengu battles Tanjiro, Nezuko, and Muichiro, who beheads him. Two new demons then grow from the severed body and head; one of them, Karaku, blasts Muichiro away with his wind-based uchiwa, and the other, Sekido, shocks the siblings with his khakkhara. Genya arrives and beheads them with a sawed-off shotgun and a Nichirin wakizashi. However, the demons to split again, now totalling four demons. The winged Urogi carries Tanjiro away from the group and hits him with a sonic shriek, while Nezuko tries to defend Genya from Aizetsu, who wields a yari. Muichiro runs back to assist them but finds Kotetsu being attacked by a fish-like demon.
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