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[31][33] Jet (voiced by Unshō Ishizuka) is shown as someone who lost confidence in his former life and has become cynical about the state of society. [17][32] Spike and Jet were designed to be opposites, with Spike being thin and wearing smart attire, while Jet was bulky and wore more casual clothing. [31] The clothing, which was dark in color, also reflected their states of mind. [17] Faye Valentine, Edward Wong (voiced by Aoi Tada), and Ein joined the crew in later episodes. [32] Their designs were intended to contrast against Spike. [31] Faye was described by her voice actress Megumi Hayashibara as initially being an "ugly" woman, with her defining traits being her liveliness, sensuality and humanity. [33] To emphasize her situation when first introduced, she was compared to Poker Alice, a famous Western figure. [31] Edward and Ein were the only main characters to have real-life models. The former had her behavior based on the antics of Yoko Kanno as observed by Watanabe when he first met her. [31] While generally portrayed as carefree and eccentric, Edward is motivated by a sense of loneliness after being abandoned by her father. [32] Kawamoto initially based Ein's design on a friend's pet corgi, later getting one himself to use as a motion model.

^ Loo, Egan (February 13, 2022). "Demon Slayer Manga's Swordsmith Village Arc Gets TV Anime". Anime News Network. Archived from the original on February 13, 2022. Retrieved February 13, 2022. ^ Mateo, Alex (March 1, 2023).

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"Demon Slayer: Kimetsu no Yaiba Manga Gets Stage Play in January". Anime News Network. Archived from the original on June 11, 2020. Retrieved May 19, 2020. ^ Pineda, Rafael Antonio (November 4, 2019). "Demon Slayer: Kimetsu no Yaiba Stage Play Reveals 7 Cast Visuals". Anime News Network. Archived from the original on December 18, 2019. Retrieved May 19, 2020. ^ Hodgkins, Crystalyn (December 19, 2020). "Demon Slayer: Kimetsu no Yaiba Gets New Stage Play in Summer 2021". He explained, "the first image that occurred to me was one of Spike, and from there I tried to build a story around him, trying to make him cool. "[36] While the original dialogue of the series was kept clean to avoid any profanities, its level of sophistication was made appropriate to adults in a criminal environment. [23] Watanabe described Cowboy Bebop as "80% serious story and 20% humorous touch". [39] The comical episodes were harder for the team to write than the serious ones, and though several events in them seemed random, they were carefully planned in advance. [31] Watanabe conceived the series' ending early on, and each episode involving Spike and Vicious was meant to foreshadow their final confrontation. Some of the staff were unhappy about this approach as a continuation of the series would be difficult.