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[44] According to Kanno, the music was one of the first aspects of the series to begin production, before most of the characters, story, or animation had been finalized. The genres she used for its composition were western, opera, and jazz. [31] Watanabe noted that Kanno did not score the music exactly the way he told her to. He stated, "She gets inspired on her own, follows up on her own imagery, and comes to me saying 'this is the song we need for Cowboy Bebop', and composes something completely on her own. "[39] Kanno herself was sometimes surprised at how pieces of her music were used in scenes, sometimes wishing it had been used elsewhere, though she also felt that none of their uses were "inappropriate". She was pleased with the working environment, finding the team very relaxed in comparison with other teams she had worked with. [33] Watanabe further explained that he would take inspiration from Kanno's music after listening to it and create new scenes for the story from it. These new scenes in turn would inspire Kanno and give her new ideas for the music and she would come to Watanabe with even more music. Watanabe cited as an example, "some songs in the second half of the series, we didn't even ask her for those songs, she just made them and brought them to us. " He commented that while Kanno's method was normally "unforgivable and unacceptable", it was ultimately a "big hit" with Cowboy Bebop. Watanabe described his collaboration with Kanno as "a game of catch between the two of us in developing the music and creating the TV series Cowboy Bebop".

Archived from the original on October 7, 2023. Retrieved January 9, 2018. ^ "UPDATE: Funimation Titles Now Available on Crunchyroll (5/10)". Crunchyroll. March 1, 2022. Archived from the original on March 22, 2022.

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[66] The show did receive criticism by some for its fan service and oversexualization of characters. IGN's Campbell writes that "There are a handful of leery moments that'll take some viewers out of it. "[64] Writing for Bleeding Cool, Alejandra Bodden generally praised the show's exploration of sexuality but criticized some scenes as uncomfortable. [67] Accolades[edit] Year Award Category Recipient Result Ref. 2022 44th Anime Grand Prix Best Character (Female) Marin Kitagawa 5th place [68] 12th Newtype Anime Awards Best Work (TV) My Dress-Up Darling 9th place [69] Best Character (Female) Marin Kitagawa 7th place 2023 7th Crunchyroll Anime Awards Best Character Design Kazumasa Ishida Nominated [70] Best New Series My Dress-Up Darling Best Comedy Best Romance Best Main Character Marin Kitagawa "Must Protect At All Costs" Character Best Ending Sequence "Koi no Yukue" by Akari Akase Best VA Performance (English) AmaLee as Marin Kitagawa Best VA Performance (Arabic) Ula Zidan as Marin Kitagawa Best VA Performance (German) Gabrielle Pietermann as Marin Kitagawa Best VA Performance (Italian) Deborah Morese as Marin Kitagawa Best VA Performance (Spanish) Erika Langarica as Marin Kitagawa Explanatory notes[edit] ^ The kanji 着せ替え人形 in the Japanese title, glossed with furigana as Bisuku Dōru (ビスク・ドール), are normally read as Kisekae Ningyō ("dress-up doll"). ^ a b Tokyo MX listed the series premiere at 24:00 JST on January 8, 2022, which is effectively January 9 at midnight. [46] ^ All English titles are taken from Funimation. [52] ^ This episode aired at 12:05 a. m. JST, five minutes after the original air time. [54] References[edit] ^ 「その着せ替え人形は恋をする」新刊発売記念、福田晋一が秋葉原でサイン会. [98] A live-action miniseries, titled Shingeki no Kyojin: Hangeki no Noroshi (進撃の巨人 反撃の狼煙, "Attack on Titan: Counter Rockets") and utilizing the same actors as the films, started streaming on NTT DoCoMo's online-video service dTV on August 15, 2015. The three-episode series focuses on Zoë Hange and her research of the Titans, as well as how the Vertical Maneuvering Equipment was created. [99] A stage play titled Live Impact was announced on the wraparound jacket band on Volume 21. [100] It was scheduled to run from July 28 to September 3, 2017. [101] The stage play was cancelled after one of the staff members was involved in an accident. [102][103] Deadline Hollywood reported on January 17, 2017, that Warner Bros. was in negotiations to secure the film rights to the Attack on Titan franchise. Harry Potter and Fantastic Beasts and Where to Find Them producer David Heyman would be on board to produce a proposed two-film project that would remake the 2015 Japanese live-action film adaptations. [104] A day later, however, Kodansha representatives said there were no negotiations with Warner Bros. [105] However, on October 29, 2018, it was revealed that Warner Bros. and Kodansha finalized a deal to produce a live-action adaptation with It director Andy Muschietti signing on to direct the film.