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[62] In April 2020, it was announced that the film's crew has halted filming due to the COVID-19 pandemic. [64][65][66] The film was originally set to open in Japan on October 9, 2020, due to the continuing effects of COVID-19,[66] the film was delayed to July 9, 2021. [67] Crunchyroll streamed the film outside of Japan. [68] A sequel titled Tokyo Revengers 2: Bloody Halloween-hen (東京リベンジャーズ2 血のハロウィン編, Tōkyō Ribenjāzu 2 Chi no Harowin-hen), was announced in July 2022. It adapts the "Bloody Halloween" arc and was released in two parts titled Unmei (運命, Destiny) and Kessen (決戦, Decisive Battle). The first film premiered on April 21, 2023, and the second premiered on June 30 of the same year. New cast members include Kento Nagayama, Nijiro Murakami, and Mahiro Takasugi. [69] Super Beaver performed the theme songs for both films titled "Gradation" (グラデーション) and "Hakanakunai" (儚くない), respectively. [70] Stage plays[edit] A stage play adaptation produced by Office Endless ran from August 6–22, 2021, with shows taking place in Tokyo, Osaka, and Kanagawa. [71] The play is directed by Naohiro Ise. [71] The theme song of the stage play is "Hero" by Sir Vanity, a pop rock band headlined by voice actors Yūichirō Umehara and Yoshiki Nakajima.

Retrieved February 17, 2024. ^ Hazra, Adriana (April 22, 2023). "HIDIVE: Oshi no Ko Anime Has Biggest Series Launch in Streaming Service's History". Anime News Network. Archived from the original on April 23, 2023. Retrieved April 23, 2023. ^ Pedersen, Erik (January 19, 2023). "Anime Awards Nominations: 'Spy x Family' Leads The Pack With 19". Deadline Hollywood. Retrieved April 23, 2023. ^ Mateo, Alex (January 17, 2024).

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Retrieved December 21, 2010. ^ "Fullmetal Alchemist Anime Profiles". Viz Media. Archived from the original on November 12, 2011. Retrieved September 27, 2011. ^ "TV Asahi Top 100 Anime". Anime News Network. September 23, 2005. Archived from the original on June 21, 2014. Retrieved June 29, 2007. ^ "TV Asahi Top 100 Anime, Part 2". Shankar, who at the time had just finished work as executive producer of Dredd, said that the party was looking to make a film in the style of the Underworld films with a similar budget, representative of a small studio with large independent backing. Shankar turned the opportunity down, saying it felt "250 percent wrong", as he had deep respect for the original game and felt the live-action version would not treat it well. [9] Following this, Shankar stepped back from Hollywood to pursue more self-published works, stating that "the major studios were blatantly disrespecting fandom" as a reason he turned down the offer. [9] The show was revitalized when Powerhouse Animation Studios's Sam Deats was able to negotiate a deal with Netflix for the production, using the existing scripts that had been written nearly a decade prior. Powerhouse reached out to Frederator to help with the show's production. [8] According to Ellis, Netflix was very positive about his original scripts that he wrote in 2007, and so he had to only make a few changes to fit the Netflix format while staying true to the version of the script Konami had accepted. [5] Shankar was approached with the opportunity to produce the work, which he took as neither Powerhouse or Frederator sought to restrict his creative vision from Ellis' scripts. [9][10][11][12] Fred Seibert and Kevin Kolde of Frederator Studios also co-produce. [10] The series was animated by Frederator Studios and Powerhouse Animation Studios and directed by Sam Deats. [13][14][15] Trevor Morris composed the show's music. [5] The show's art style was heavily influenced by the work Ayami Kojima did for Castlevania: Symphony of the Night.
Regarding the ending of this novel, Rifujin was thinking of writing until Rudeus died, and at the same time, writing until Rudeus turned 34 because he died at the age of 34. He also said that since the prologue is about an unemployed man who is kicked out of his house, he did not want the story to end with someone being beaten up. In addition, even if he continued the story, it would just be a repetition. [14][4] Adaptation[edit] Director Manabu Okamoto found the novel controversial but at the same time first rate. He noticed it attracted several readers which gave him the curiosity of adapting it into an anime. However, due to the length from novels, Okamoto found it difficult to in anime format. The constant change of areas and designs also resulted in more problems. The most difficult change was Rudeus' constant growth from a toddler to teenager in the first story arcs the staff decided to make subtle rather than make time-skips. In order to characterize Rudeus properly, Okamoto decided to give him two voice actors: Tomokazu Sugita for his thoughts and Yumi Uchiyama for his dialogues. The composer Yoshiaki Fujisawa wanted to use modern background themes to fit the classic fantasy world. [15] For the second season, Hiroki Hirano replaced Okamoto as director.