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Obara, known more for his work on live-action movies and television dramas, was brought in through a mutual friend at Office Crescendo. [5] The eventual unstructured production style was unheard of in anime, and at the outset Obara created a series structure. The three-episode finale was not planned ahead, emerging naturally as part of the design approach. [5] As the project evolved, Watanabe pushed for this structured approach to be discarded aside from the lead characters and premise, and Obara agreed to the new approach. The lack of a structure meant that the series narrative was constructed piece by piece, with few plot details being decided in advance. [8] The fates of the three characters were also undecided during this stage. Watanabe originally planned for all three to survive, but at one point the team considered Jin and Mugen dying respectively in the final two episodes. [5] Even the identity of the sunflower samurai was unknown to Watanabe during the early stages. [15] Due to this approach, pre-production on the series lasted a year. [8] Watanabe had a great deal of creative control and input, including on music selection and editing. [19] The first episode took a long time to polish, being completed around the beginning of 2004, but it and subsequent episodes had an animation quality higher than other series of the time.
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