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[18][19][24] Kon said that if he were free to make a plan, he would never have thought of such a setting. [24] This genre was overused, having already been dealt with in various works such as Se7en, Basic Instinct and The Silence of the Lambs and was also something that anime was not good at. [16][18][22] Since most of the works in that genre pursue how perverted or crazy the perpetrators, the murderers, are, Kon focused on "how the inner world of the protagonist, the victim, is broken by being targeted by the stalker" in order to outsmart the audience. [22] On the other hand, the play within a play, Double Bind, is more like a parody than a straight psycho-horror, and he made it with the intention of criticizing Japanese TV dramas that are easily made by imitating Hollywood fads immediately. [22] Kon decided to take on the role of director because he couldn't resist the allure of directing for the first time, and because the original author allowed him to change the story as he liked as long as he kept three things in mind to make the film work: the main character is a B-grade idol, she has a rabid fan (stalker), and it is a horror film. [18][19][24] So he took some elements from the original work, such as the uniquely Japanese existence of idols, the "otaku" fans that surround them, and the stalkers that have become more radical, and came up with as many ideas as possible with the scriptwriter, Sadayuki Murai, with the intention of using them to create a completely new story.

Amazon. com. Retrieved 2010-11-13. ↑ "ハンターX ハンター 奪われたオーラストーン" [Hunter × Hunter: The Stolen Aura Stone] (in Japanese). Amazon. com.

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[103][104] Controversy In May 2008, both Shueisha and studio A. P. P. P. halted manga/OVA shipments of JoJo's Bizarre Adventure after a complaint had been launched against them from anonymous online Egyptian Islamic fundamentalists, after noticing a scene in the OVAs that has the villain, Dio Brando, reading a book depicting pages from the Qur'an. [2][105] This recall affected the English-language releases as well, causing Viz Media and Shueisha to cease publication for a year. Even though the manga did not feature that specific scene, Shueisha had Araki redraw scenes that depicted characters fighting on top of, and destroying, mosques for later printings of the series. [2] Viz resumed publication a year later, with the eleventh volume being published on April 7, 2009. Jason Thompson later included Shueisha's changes to the manga on a list of "The Greatest Censorship Fails" in manga. [106] Legacy and collaborations The September 2007 issue of Cell had a cover drawn by Hirohiko Araki with a ligase represented as a JoJo's Bizarre Adventure Stand. [107] He also contributed artwork towards the restoration of Chūson-ji following the 2011 Tōhoku earthquake and tsunami. Retrieved September 17, 2022. ^ 21世紀少年 下 (in Japanese). Shogakukan. Archived from the original on September 20, 2022. Retrieved September 17, 2022. ^ 20世紀少年 完全版 1 (in Japanese). Shogakukan. June 28, 2016. Archived from the original on December 24, 2016. Retrieved December 23, 2016. ^ 20世紀少年 完全版 11 (in Japanese).
4 (1): 39–52. doi:10. 1353/mec. 0. 0030. S2CID 122517858.