nejosama
XII Raze-time Appears to be a large, boxy clockwork robot created by Nox, and one of his most powerful weapons. Before being confronted by the main characters, it devastated a large section of the Sadidas' forest with its "stasis blasts. " He was deactivated for good when Nox's clock is destroyed. Igole A hyena-like Bow Wow (species of dog in
that world) that served Nox. Igole can travel at extremely fast speeds (most likely given to him by his control collar) and has the ability to run on water to get from island to island when traveling over-sea. He can
also inhale so deeply that he creates a vacuum. It is revealed Igole was previously a pet owned by a little girl who is later revealed to
have been Nox's daughter, who drowned due to Ogrest's tears along with the rest of his family. A little Osamodas girl named Lotie that resembled her caused Igole to change his ways, and soon he was freed from Nox's control and now lives with her. She also calls him Crazy-Eyes. In the prequel, he was drawn as a dog.
This is because Igole is a Bow Wow by species, a type of dog analog in the Wakfu universe.
Opening Speech. One Piece. Vol. 80. Shueisha.
ISBN 978-1-42-159024-0. ^ Eichiro Oda (September 16, 2020). One Piece
Magazine Vol. 10. Shueisha. ISBN 978-4-08-102406-3.
[66] She notes that yuri works that enjoy international
popularity tend to be explicit and focused on "cute girls making out with each other," while Japanese fans "have a propensity for reading between the lines, picking up on subtle cues, and using their own imaginations to weave rich tapestries of meaning from small threads. "[66] Lack of genre and
demographic exclusivity[edit] Though yuri has been historically and thematically linked to shōjo manga since its emergence in the 1970s, yuri works have been published in all demographic groups for manga – not only shōjo (girls), but also josei (adult women), shōnen (boys) and seinen (adult men). Shōjo yuri works tend to focus on fanciful and fairy tale-inspired narratives that idolize Takarazuka Revue-inspired "girl prince" characters, while yuri works in the josei demographic tend to depict same-sex female couples with a greater degree of realism. Shōnen and seinen manga, conversely, tend to use yuri to depict relationships between "innocent schoolgirls" and "predatory lesbians". Manga magazines dedicated exclusively to yuri tend not to conform to any one specific demographic, and are thus inclusive of content ranging from schoolgirl romances to sexually-explicit content. [67] Often, works that are perceived and categorized as yuri in Japan are not regarded as such by international audiences.
