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Vegeta’s pride is at stake, but so is his life! 163 11 "Saving Throw" November 4, 1992 November 6, 2000 Vegeta lies unconscious after his battle with Cell, and Trunks unleashes his hidden powers to save his father’s life. With Goku and Gohan still training, Trunks is the only person standing in the evil android’s way. 164 12 "Ghosts from Tomorrow" November 11, 1992 November 7, 2000 Trunks vows to stop the future from repeating itself; Cell can’t wait for the future to unfold. It’s all up for grabs as the two warriors prepare for battle. Only one future will survive. Whose will it be? 165 13 "The Cell Games" November 18, 1992 November 8, 2000 Realizing that his powers are no match for his opponent, Trunks accepts defeat, only to be given a second chance when Cell proposes a tournament! Is Cell really interested in competition, or does he have a sinister motive? Cell Games Saga (1992-1993)[] No.

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Archived from the original on July 12, 2022. Retrieved November 24, 2021. ^ "Shangri-La Frontier, Volume 6". Kodansha USA. Archived from the original on January 28, 2024. Retrieved July 10, 2022. ^ "Shangri-La Frontier, Volume 9". Kodansha USA. Archived from the original on January 28, 2024. Retrieved December 31, 2022. ^ シャングリラ・フロンティア(10) ~クソゲーハンター、神ゲーに挑まんとす~ (in Japanese). From the first meeting with the publisher, Akira was to be a short work of about ten chapters "or something like that," so Otomo said he was "really not" expecting it to be a success. [15] Otomo had previously created Fireball (1979), a series in which he disregarded accepted manga art styles and established his interest in science fiction as a setting. [6] Fireball anticipated a number of plot elements of Akira, with its story of young freedom fighters trying to rescue one of the group's older brother who was being used by the government in psychic experiments, with the older brother eventually unleashing a destructive "fireball" of energy (the story may have drawn inspiration from the Alfred Bester's 1953 novel The Demolished Man). [16] Otomo used a science fiction setting again the following year in Domu, which won the Nihon SF Taisho Award and Seiun Award and became a bestseller. [6] He then began work on his most ambitious work to date, Akira. Due to a lack of planning, Otomo had to hastily end Fireball without the finale he wanted and stated, "You could say that Akira was born from the frustration I had about that at the time.