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Madame (斉藤貴美子, Yarite Baba?) Voix
japonaise : Kimiko Saitō (ja)[9] Une vielle femme propriétaire de l'établissement palais Vert-De-Gris se trouvant au quartier des plaisirs où elle a embauché Mao Mao
avant que cette dernière se fasse capturer. Luomen (羅門?) Voix japonaise : Hiroshi Yanaka[9] Il s'agit du père de Mao Mao et a été anciennement un médecin de la cour royale (à l'insu de sa fille). Lihaku (李白?) Voix japonaise : Kenji Akabane (ja), voix française : Donald Reignoux[9] Il s'agit d'un soldat qui a donné une épingle à cheveux à Mao Mao lors du grand banquet des jardins du palais. Elle lui a demandé de l'escorter hors des
murs du palais en échange de bon temps au palais Vert-De-Gris. Shaolan (小蘭, Xiaoran?) Voix japonaise : Misaki Kuno[9] Une serveuse de l'arrière cour qui est également amie avec Mao Mao. Fengming (風明?) Voix japonaise : Noriko Hidaka (ja)[10] Principale dame d'honneur d'Aduo dont la famille possède un rucher. Bien qu'elle se présente comme une dame d'honneur exemplaire et respectée, il y a un secretqui se cache derrière elle, ce qui pourrait être la raison pour laquelle Lishu la craint, même à la simple mention de son nom. Lakan (羅漢?) Voix japonaise : Takuya Kirimoto (ja)[11] Fonctionnaire doté d'un monocle, il est le tacticien de l'armée impériale. Suilei (翠苓?) Voix japonaise : Kaori Nazuka[11] Dame de la cour extérieure. Production et supports[modifier | modifier le code] Roman[modifier | modifier le code] La série de light novel Kusuriya no Hitorigoto est publiée à l'origine depuis 2011 sur le site de publication Shōsetsuka ni narō. Elle est acquise par Shufunotomo qui la publie sous la forme d'un roman illustré par Megumi Matsuda et sorti le 26
septembre 2021 sous le label Ray Books (ISBN 9784072853795)[12].
After meeting up with Sendō, Ippo went with him to the Arena México and was delighted to meet Alfredo and Ricardo. After the press conference, Ippo ate with Sendō at a restaurant and was shocked to see that the waiters that were Alfredo fans put a bug in Sendō's salad, warning him about it. Ippo and Sendō having a no-contact
spar. At the Lucha Lucha Gym, Sendō wanted to spar to work off calories and Ippo was pushed into doing a no-contact spar with him. While Sendō
intended to hit Ippo, Ippo dodged all of his punches while throwing held back punches. Sendō became irritated and shoved Ippo, making him lose balance.
It’s this unnecessary from the bottom to the top type writing that tries to maintain hype through introducing opponents of increasingly high rank. This might work for
some, but to me, it’s tedious to sit through knowing that someone with more power but with even less personality will appear and none of this matters. Take Nagi for example. How on earth does he have the ego to say he’s the best player as he’s introduced when he’s ranked 250 something in this facility alone. It’s just meaningless fluff because it’s obvious they’re trying to drum up some kind of idiotic point where he realizes oh he’s not god’s gift and there are people that challenge him here. Then Rin comes along with a similar ego complex, but is just stronger and replaces what little Nagi’s purpose was. The part that really infuriates me is that after what seems like these development arcs for each of these characters. They’re reduced to these shells of their former selves and are added to Isagi’s collection of assets like they’re all tools in
Mickey Mouse’s toolbox. “Oh toodles!!! Who will I pass to today?" As he bring up 4 options to the screen. I can just imagine the kids watching screaming at their screen: “Garou! Kunigami! Bachira! Chigiri!” or whoever else “fortunate” enough to be Isagi’s plaything at this current moment.
Strikers aren't the king of the castle but Blue Lock certainly thinks so.
