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Retrieved September 7, 2022. ^ 陰の実力者になりたくて!. Comic Natalie (in Japanese). Natasha, Inc. Archived from the original on December 6, 2022. Retrieved September 8, 2022.
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But this is a review and not a fan-piece. I am here to share my opinions and to judge the anime with a critical, yet fair eye. Re:Zero has a great deal of issues when viewed under these lenses, and none of them are insignificant. No matter how emotional its copious amounts of death and suffering made you, it would be quite hard to argue there is much more value to Re:Zero than its spectacle. It is a master at manipulating the audience's feelings, and while it succeeds at entertainment and has one special little moment, Re:Zero fails at making the case that it is anything more than lavishly produced, yet cheap theatre.
The question is, is that enough for you?
It wasn't enough for me. Reviewer’s Rating: 5 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by Veronin (100) Show allRead moreShow lessOpen Gift Report Dec 12, 2023 ZephSilver Not Recommended Ahh, the reviewer. The first line of defense to quell the flames of irrational thought and often the bearer of bad news for those of the general public. They're the Buzz Killingtons that take it upon themselves to blow the "no fun" whistle and send the partygoers back on the hype-train that they rode in on. It's a thankless job, one that doesn't reward anyone besides the smug satisfaction of the man with the whistle, tipping his top hat and waving "adieu" at the fanbase, outraged that someone had the audacity to bring an analytical lens to the "totally bitchin party, bruh!"
And as the seasonal . The landscapes depicted are ruinous, with old Tokyo represented only by a dark crater. The nihilistic nature of the work is felt by Napier to tie into a wider theme of pessimism present in Japanese fantasy literature of the 1980s. [22] According to Dolores P. Martinez, the serial nature of the work influenced the storyline structure, allowing for numerous sub-plots, a large cast, and an extended middle sequence. This allowed for a focus on destructive imagery and afforded Otomo the chance to portray a strong sense of movement. [8] The work has no consistent main character, but Kaneda and Tetsuo are featured the most prominently throughout.
Inosuke is known for his fierce personality and competitive persona. While the show doesn’t develop his character as much as the others, he brings a unique form of fighting and charisma. And we shouldn’t forget about Genya since he first appeared in the show. Known for its foul mouth and killing desire, one should wonder how much he can really fit the role as a demon slayer. It helps that Kimetsu no Yaiba features a diverse cast of characters who are all unique on their own. On the other hand, the same principle may not apply entirely for the demons. Truth to be told, most of the demons in the show has a rather one sided personality. Most of them are known for their bloodlust and urge to kill. It’s a primary factor that can make the demons more forgettable compared to the human characters. Outside of Kibutsuji, it’s really hard to say any of these demons are actually worth remembering for this adaptation. If in the future when this gets more animated episodes, they could be worth mentioning.