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[8] Ellis had completed his script in June 2008, and the show's production blog had said in August 2008 that they were shopping around the idea as a theatrical release, but no further updates followed before the blog was quietly deleted. [7] Around 2012, Adi Shankar was approached to direct a live-action version of Ellis' script. Shankar, who at the time had just finished work as executive producer of Dredd, said that the party was looking to make a film in the style of the Underworld films with a similar budget, representative of a small studio with large independent backing. Shankar turned the opportunity down, saying it felt "250 percent wrong", as he had deep respect for the original game and felt the live-action version would not treat it well. [9] Following this, Shankar stepped back from Hollywood to pursue more self-published works, stating that "the major studios were blatantly disrespecting fandom" as a reason he turned down the offer. [9] The show was revitalized when Powerhouse Animation Studios's Sam Deats was able to negotiate a deal with Netflix for the production, using the existing scripts that had been written nearly a decade prior.She finally manages to find him at the school entrance and asks if he wants to go shopping for the materials needed for the outfit. However, Gojo reluctantly refuses. When Kitagawa finds him again, Gojo explains why he left. Seeing his low self-esteem, she assures him they are friends. They head to multiple stores to shop. Later that night, they head to a ramen shop, where they embarrass and worry the other customers when they discuss the Slippery Girls games.
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