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[22] Kon decided to take on the role of director because he couldn't resist the allure of directing for the first time, and because the original author allowed him to change the story as he liked as long as he kept three things in mind to make the film work: the main character is a B-grade idol, she has a rabid fan (stalker), and it is a horror film. [18][19][24] So he took some elements from the original work, such as the uniquely Japanese existence of idols, the "otaku" fans that surround them, and the stalkers that have become more radical, and came up with as many ideas as possible with the scriptwriter, Sadayuki Murai, with the intention of using them to create a completely new story. [16][18][19] And the film needed a core motif, which had to be found not by the screenwriter or anyone else, but by the director, Kon himself. [16][18][19] So he came up with the motif of two things that should have a "borderline," such as "dream and reality," "memory and fact," and "oneself and others," becoming borderless and blending together, based on the short film Magnetic Rose (from Memories), for which he had written a script, and the suspended manga Opus. [22][23] The concept of "memory and fact" in the plot was inspired by the album Sim City by Susumu Hirasawa. [25] He said, "This album is like a city that was suddenly created with a high degree of modernity without any evolutionary process. [25] In the meantime, he came up with the idea that "a character more like 'me' than 'I', the protagonist, to the people around 'me' " is created on the Internet without 'my' knowledge. [16][18][19] The character is "the past me" for the protagonist, and this "other me" that should have existed only on the Internet has materialized due to external factors (the consciousness of the fans who want the protagonist to be like that) and internal factors (the protagonist's regret that she might have been more comfortable in the past). And then the composition that the character and the protagonist herself confronted emerged. [18][19] It was only then that he became convinced that this work could be established as his own video work. [18][19] Kon decided to interpret the original story above as a story about an idol girl who was broken down by a sudden change in her environment or by a stalker who targets her, and wrote a completely new script with Sadayuki Murai.
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