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"Japanese Comic Ranking, November 3–9". Anime News Network. Archived from the original on December 2, 2014. Retrieved November 30, 2014. ^ "Up and Coming Manga Sold Out Immediately". Mantan Web (in Japanese). December 28, 2022. Archived from the original on December 27, 2022. Retrieved December 27, 2022. ^ 本日10月11日(火)放送開始の2022年秋アニメ. Comic Natalie (in Japanese).

Remorse and regret haunt Rudeus, and he sees this second chance at life to correct himself, slowly but surely. The link between Rudeus' past life to his present lives up to the theme of reincarnation, something which MANY MANY isekai animes simply refuse to acknowledge. Through his willingness to learn new languages, it also goes to show that he is willing to work hard and refuses to repeat the habits of the life he had lived previously. Contrary to what many people seem to believe, Rudeus is not overpowered. It is clear that Rudeus has been shown to have countless flaws, one being in battle where he is unable to thrive in close-range combat. His skills as a magician were not passed down to him by some divine power, he had learned and trained himself how to utilize the magic in the unfamiliar world in which he was thrust upon. It is undeniable that he was born with an advantage from the rest, having attained the memories from his previous life, but he has to continuously apply himself with dedication and training to get stronger. His growth may be contradicted by the several perverted tenancies that he contentiously displays throughout the series, but rather than showing that he's incapable of change, it merely goes to show how far he has to go.
Comedy
The controversy around Mushoku Tensei makes sense, it deals with several hateable themes such as sexual assault, slavery, and pedophilia in not so appropriate ways. Surprisingly, what many consistently forget is that Mushoku Tensei is in a medieval setting. Rather than white washing the societal problems that other shows seem to do, Mushoku Tensei dives headfirst into the problems of the past.

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In light of all the prescient futurism found in Watanabe's other works, it's rather interesting that he decided to shift his focus to the past and present. Of course, the world's future is always in its past. and what we have here is, in a nutshell, Edo-period Japan: the remix. Baseball, tagging/graffiti, Van Gogh, zombies, and Catholicism are tossed into the "chanpurū" with a whole lot of revised Japanese pseudo-history. As such the medley of influences and tangential tale-spinning occasionally smacks of filler, but one would do well to understand that this show is simply all /about/ the filler — and this is all for the better, because Samurai Champloo is at its freshest and most hilarious when it's veering off the rails. It even has the single most entertaining recap episode I've ever seen. Even with all this episodic improv, Fuu's journey in search of a "samurai who smells like sunflowers" provides a compelling core to the story, much like a steady hip-hop beat giving structure to the mix of samples and freestyle verses. Her ronin traveling companions Mugen and Jin mingle like oil and water, and there we have the perfect cast for hilarity and drama.
Samurai Champloo is one good-looking show, with its thick linework giving an impression of manga blended with graffiti style. June 29, 2012. Archived from the original on December 17, 2014. Retrieved July 28, 2015. ^ "Rise and shine with Sailor Moon". The Boston Globe. May 15, 1996.