kuroko basketball episodes high school dxd characters hot
Alpaca suri (アルパカ・スリ, Arupaka suri) Voiced by: Yukiyo Fujii An Alpaca Friend known mostly for running the Japari Cafe in the 2017 anime. Brown Bear (ヒグマ, Higuma) Voiced by: Eriko Matsui Brown Bear is a member of a group of Cerulean Hunters in her most notable appearance in the 2017 anime. African Wild Dog (リカオン, Rikaon) Voiced by: Rika Tachibana (Japanese); Danielle McRae (English)[5] African Wild Dog is a member of a group of Cerulean Hunters in her most notable appearance,the 2017 anime. Kemono Friends 2[edit] Kyururu (キュルル) Voiced by: Yui Ishikawa (Japanese)[6] The main protagonist of Kemono Friends 2, named after the sound of his stomach grumbling. He emerged from a mysterious laboratory in Japari Park, with his only clue home being a sketchbook. Caracal (カラカル, Karakaru) Voiced by: Riko Koike (Japanese)[6] A caracal who appears alongside Serval in Kemono Friends 2. Giant Armadillo (オオアルマジロ, Ōarumajiro) and Giant Pangolin (オオセンザンコウ, Ōsenzankou) Voiced by: Emily Fajardo (Armadillo), Anairis Quinones (Pangolin) (English)[5] A giant armadillo and giant pangolin – respectively nicknamed Alma and Sen – who work as detectives who will take on any request in exchange for food. Greater Lophorina (カタカケフウチョウ, Katakake Fūchō) and Western Parotia (カンザシフウチョウ, Kanzashi Fūchō) Voiced by: Mashiro Yagi and Madoka Kan (Japanese); Haven Paschall and Kate Bristol (English)[7] A greater lophorina and western parotia. Other characters[edit] Lucky Beast (ラッキービースト, Rakkī Bīsuto) Voiced by: Aya Uchida[a] (Japanese); Suzie Yeung (English) A small, robotic creature also referred to as "Boss" (ボス) by the Friends. While he does not respond to the Friends themselves, he will directly answer questions and statements made by Kaban, providing information on Japari Park, Friends, and needed items when trouble arises. Mirai (ミライ) Voiced by: Aya Uchida[b] (Japanese); Suzie Yeung (English)[5] A park guide who worked at Japari Park when it was still open and adores animals.[2][5] Togashi came up with the concept of the Ningenkai (Human World), Reikai (Underworld), and Makai (Demon Plane) as being parallel planes of existence in the manga's universe. He thought of them as places that one could not easily travel between using modern technology, but rather as a spirit lacking a material body. [8] However, the idea for the "territory" powers from the Sensui story arc was parodied from a separate, unnamed work by Yasutaka Tsutsui. [12][13] For his drawing materials, Togashi used drafting ink and Kabura pens throughout the creation of the series. While his style of artwork began with screentone, he gradually developed into minimalism. As the series progressed, he would draw figures and faces very detailed or "cartoony, sketchy and jumping with action" whenever he desired such effects. [8] During the years he worked on YuYu Hakusho, Togashi would calculate the personal time he had based on a formula of four hours per page without scripting and five hours of sleep per night. [14] He wrote in his own dōjinshi Yoshirin de Pon! that he stopped the production on YuYu Hakusho out of selfishness. [15] The author had originally wanted to end the manga in December 1993, at the climax of the Sensui arc. [12][15] Although there was not a large demand from the editorial staff, Togashi was under a great deal of personal stress at certain points of the series' run, particularly during its final six months of publication. He claimed that, beginning with the Dark Tournament arc, inconsistent sleep resulting from overwork was causing him health problems.
[SMALL-TEXT]]