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Agency for Cultural Affairs. Archived from the original on June 4, 2020. Retrieved May 29, 2020. ^ Amazon. co. jp オインゴとボインゴ兄弟大冒険 (集英社文庫—コミック版) (文庫) (in Japanese). ASIN 408617720X. ^ "岸辺露伴は動かない". S-MANGA (in Japanese). Shueisha. Archived from the original on October 20, 2020.

"Chainsaw Man Manga Shreds Through 3 Million Copies in Circulation". Crunchyroll. Archived from the original on December 27, 2020. Retrieved September 8, 2020. ^ 「チェンソーマン」MAPPA制作でTVアニメ化! 藤本タツキ「ドロヘドロと呪術廻戦のパクリみたいなチェンソーマンを. 」. AnimeAnime. jp (in Japanese).

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length + vm. ReplyCount) | number:0 Comment(vm. Comments. length + vm. ReplyCount) == 1 ? '' : 's' Submit Comment. Username · vm. FormatDate(Comment. TimeCommented) Confirm Delete Comment. CommentContent +Comment. LikeCount | number:0 · like · reply View Previous Replies Loading. [54] The French website Manga News found the premise captivating due to the mysteries it shows. [55] Sigue en Serie also commented on the mysteries of the series, which would motivate readers to move quickly to the next volumes in order to understand more the plot through the two parallel storylines. [56] By the third volume, Manga News noted that the events from the both storylines have been connected especially from Tokio's point of view while the duo's journey was noted to be more comical than tragic in contrast as a result of how Ishiguro writes the chapters. They still felt both plots offer interesting mysteries whose connections are not given away that easily. [57] Brutus magazine listed Heavenly Delusion on their "Most Dangerous Manga" list, which included works with the most "stimulating" and thought-provoking themes. [58] Vinland Saga's author Makoto Yukimura expressed interest in the themes of Heavenly Delusion due to the idea of a heaven as well as how Ishiguro tells two stories at the same time that are connected as the narrative continues. [59] Anime[edit] The first episode earned a positive response by Anime News Network due to the dystopian premise and amount of character, while being compared to Blame!, and the animation produced for both human and monster designs. [60] They noticed that the series appears to heavily focus on the gender, not on Kiruko's "experience of trans men, but rather as means of interrogating and playing with rigid gender constructs in a more generalized sense. Gender affects all of us, across the entire spectrum of identity and presentation, so thinking about gender critically and flexibly is an important thing to do. " They further praised the relationship between Maru and Kiruko for how caring they are with one another and noted that the flashback's incestuous "angle might just be sensationalism for the sake of it, but I don't mind that extra splash of taboo when the full picture is this interesting. "[61] Anime Feminist enjoyed the handling of the animation as well as the dynamic between the two leads with Maru looking suspiciously similar to another person featured in the parallel story.