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Miguel (美外留, Migeru) A member of the Revolutions Club. Being a tall and muscular man, he is very charismatic and well-mannered despite his appearance. However, like the other members of the Revolutions Club, he is just as twisted, cruel, and violent as them during their tortures of their own members. He gets his left eye gouged out by Uruma before attempting to twist his head, only for Shun Uruma Sr. to rip out his vein, instantly killing him. Others[edit] Daki Kawashima A servant of Ushiro.

^ 「岸辺露伴 グッチへ行く」が朝日新聞全面広告に出現ッッ. Natalie. mu. August 23, 2011. Archived from the original on May 21, 2013. Retrieved September 27, 2013. ^ 仙台ジョジョ展は明日から!杜王町MAPや荒木の仕事机も. Natalie. mu. July 27, 2012. Archived from the original on January 24, 2013.

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» Pour Libération, Didier Péron écrit : « Le forçage sentimentaliste et la fibre Cosette tendue à claquer est emporté par le style de Takahata[19]. » Pour Slate, par rapport au révisionnisme au Japon, Antoine Bourguilleau remarque que ce film est emblématique des fictions japonaises sur la Seconde Guerre mondiale qui ne se concentrent que sur les souffrances japonaises et ignorent ou dénient les souffrances causées aux autres peuples des nations attaquées[20]. Distinctions[modifier | modifier le code] Année Récompense Catégorie Résultat Attribution 1989 Blue Ribbon Awards Special Award Lauréat Isao Takahata 1994 Chicago International Children's Film Festival Animation Jury Award Lauréat Isao Takahata Rights of the Child Award Lauréat Isao Takahata Notes et références[modifier | modifier le code] (en) Cet article est partiellement ou en totalité issu des articles intitulés en anglais « Grave of the Fireflies » (voir la liste des auteurs) et « Grave of the Fireflies (novel) » (voir la liste des auteurs). ↑ (en) Roger Ebert, « Grave of the Fireflies movie review (1988) | Roger Ebert », sur rogerebert. com/ (consulté le 24 novembre 2020). ↑ (en) « The 50 best World War II movies », sur Time Out London (consulté le 24 novembre 2020). ↑ « Le Tombeau des Lucioles », sur planete-jeunesse. com (consulté le 6 avril 2023). ↑ « The Animerica Interview: Takahata and Nosaka: Two Grave Voices in Animation », VIZ Media, vol. 2, no 11,‎ 1994, p. 8 (lire en ligne [archive du 4 juillet 2018]). Anime News Network. November 8, 2016. Archived from the original on November 9, 2016. Retrieved November 8, 2016. "Japan's Animation Blu-ray Disc Ranking, November 7–13". Anime News Network.
Earwig and the Witch also looked to Aardman Animations and Laika's stop-motion films to translate the signature Ghibli style to 3D CGI. The Big O is the result of Japanese animators involved with Batman: The Animated Series (Sunrise, the studio behind the show, was a subcontractor for the latter series) running with the influence of Bruce Timm's iconic art style. Look for the Batmobile in the backgrounds. The first ending sequence to Fullmetal Alchemist (2003) is done in Mike Mignola's style. Hiroyuki Imaishi's projects tend to have this reputation. Zig-Zagging Trope with Panty & Stocking with Garterbelt. It takes most of its art style from animesque Western animation (looking a lot like The Powerpuff Girls). One episode parodying Transformers goes maximum '80s. Dead Leaves borrows some exaggerated faces, angular hard-line animation, and violence from Western cartoons. Space Patrol Luluco carries much of the same spirit of Panty & Stocking, including humor that wouldn't look out of place on Cartoon Network or Nickelodeon. King of Bandit Jing, especially the second manga series.