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Retrieved March 27, 2018. ^ Wright Flyer Studios (January 24, 2017). Sword Art Online: Memory Defrag (in Japanese). Bandai Namco Games. ^ "Sword Art Online: Memory Defrag to End Service in August". Siliconera. Archived from the original on 27 August 2012. Retrieved 15 December 2012. ^ "モノクマの逆襲 for ダンガンロンパ|人気ゲーム「ダンガンロンパ」のミニゲーム集!スマフォアプリ版が待ち遠しくなる!|アプリゲット". Appget. com.

"[76] Leroy Douresseaux called Hell's Paradise: Jigokuraku volume 1 as one of the best first volumes of a manga tankōbon/graphic novel that he has ever read in a 9/10 review for Comic Book Bin. He stated that Kaku enthralls readers with the mysteries of the island while his illustrations are "like taking some of the most shocking art from the legendary EC Comics' horror titles and multiplying it by the power of 10. "[77] Kiara Halls of Comic Book Resources called the first volume a "great, emotional bloodbath" that provides "bloody, classic shonen action with uncommonly sincere emotional depth. " She explained that while establishing the relationship between Sagiri and Gabimaru forms the crux of the volume, it's an uncommon one as their bond is "of mutual respect formed by an emotional connection," not of dominance or lust. That coupled with "solid, detailed art and supernatural intrigue," had Halls call the series a potential breakout hit. [78] Reviewing the first volume for Anime News Network, Rebecca Silverman and Faye Hopper both gave it 3. 5 stars out of 5. Both critics praised the main characters Sagiri and Gabimaru and their relationship, with Hopper stating the way their struggles mirror and allow each other to empathize and grow despite their opposed roles is executed with "thoughtfulness and real power, and imbues a gritty, gory seinen with heart. " Silverman felt that despite containing some elements derivative of other works, Hell's Paradise: Jigokuraku manages to make them into "a story worth paying attention to" and is entertaining. Hopper wrote that while the violent manga is not for everyone, it has terrific, macabre art, a solid hook, and rich characters, and she admires it for showing how "casual, uncritical brutality hurts the soul, and that revulsion to it is normal and should be accepted. "[79] Accolades[edit] With 16,510 votes, Hell's Paradise: Jigokuraku came in at eleventh place in the Web Manga Category of the 2018 Next Manga Awards, organized by Niconico and Da Vinci magazine.

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[32] Writer Cecilia D'Anastasio applauded the opening episode in a review published by Kotaku, going so far as to state that it "already outshines the 90's original". Though, noting the series' sub-par animation quality, D'Anastasio concluded, "Berserk is not for the faint-hearted. But 'The Branded Swordsman' proved to me that directors of fighting-heavy anime are making more of an effort to beautify and civilize the genre, doing justice to manga that showcases writing and ingenuity. "[33] Anime News Network contributor Jacob Hope Chapman was critical of the show's production quality in his review of episodes 1–3, stating that "Berserk 2016 is an abominably ugly and almost forcefully unpleasant realization of our dreams, with cut-rate CGI, questionable music choices, and disorienting camera work". However, to him, the strength of the source work helps to carry the show, and Itagaki's frenetic directing style at least keeps the action interesting: "Once you manage to unclench your teeth at all those garish cel-shaded puppet bodies smacking against each other, Miura's compelling story and the captivating world still shine as one-of-a-kind flights of dark images with poignant characterization, even as they struggle under such a lackluster production. "[34] References[edit] ^ a b Luster, Joseph (29 December 2015). "VIDEO: New "Berserk" Anime Project Teases Some Animated Violence". Crunchyroll. Archived from the original on 29 January 2021. Retrieved 26 March 2016. ^ "Berserk (2016)". Comme elle est cardiaque, Seita a tendance à la protéger. Elle mourra dans les heures suivant le bombardement de Kobe. Le policier C'est le seul adulte qui sera compréhensif vis-à-vis du comportement de Seita. Autour du film[modifier | modifier le code] Akiyuki Nosaka — l’auteur de la nouvelle La Tombe des lucioles dont la sœur mourut de malnutrition pendant la guerre — a toujours refusé que sa nouvelle soit adaptée au cinéma classique[4] : « Il est impossible d’arriver à retranscrire la terre brûlée et les champs de ruines qui constituent littéralement l’épine dorsale de mon roman[5]. » Elle a toutefois fait l'objet d'une adaptation non animée pour la télévision en 2005[6]. Le réalisateur dit s'être inspiré de Paulette, la petite fille du film Jeux interdits interprétée par Brigitte Fossey, pour la gestuelle de la petite fille (Setsuko)[7]. L'un des points les plus importants dans cette œuvre est le réalisme. Bien que dessinés, les décors sont crédibles. Comme le dit Bernard Génin dans l’article de Télérama du 19 juin 1996 : « Dès le début, la reconstitution d’un bombardement sur Kobe, dans des décors d’une précision hallucinante, installe un réalisme quasi documentaire. » Akiyuki Nosaka confirme cela dans une interview incluse dans le coffret DVD Collector du film, distribué par Kaze. Nosaka a vécu cet enfer étant jeune, et il explique dans cette interview que voir ce film lui a fait reconnaître chaque maison, chaque coin de rue, et le replongeait dans son enfance, car le quartier représenté dans l’œuvre de Takahata est celui où il a vécu étant petit.