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[12] The use of hip hop also reinforced the series' focus on its minority and counter-cultural cast, creating a cultural reference by using one with the other. [13] Alongside his liking of hip hop, Watanabe attributed a large amount of the series' inspiration in the works of actor Shintaro Katsu, particularly his historical dramas. The narrative approach of the finished series was inspired by Katsu's notorious habit of directing projects without a set story structure. [5] The word "Champloo" in the title was derived from the Okinawan term chanpurū, with Watanabe comparing the blending of elements in the anime with the meaning of chanpurū. [14] The food depicted in the show was originally accurated to the Edo period, but eventually expanded to include anachronistic dishes such as okonomiyaki. [5] The plot is structured like a road movie, with little connection between stories until the final three-part arc, contrasting against the serial structure of its contemporaries. [8] Watanabe particularly cited the movies about the blind samurai Zatoichi as an inspiration for this style. Other influences on the series included Enter the Dragon and Dirty Harry. One episode was based around the Chinese concept of Qi. [15] During early planning, the series' tone was far more serious, but after the first four episodes had been written, the staff were worried about the tone becoming bleak, prompting a greater focus on comedy. [5] Several episodes incorporate references, homages, and parodies of popular media.

[23] He also felt the need to get started on the series right away since it was around 1998 and the end of the century was approaching. [23] Although he creates a "movie trailer" in his head when starting a new series, Urasawa does not plan the story out in advance. For example, a young woman appears in the first chapter pulling a curtain open to reveal a giant robot (as envisioned in the trailer). While writing that scene Urasawa could hear a baby crying in the convenience store next door and included that in the manga, thus it cuts to 1997 with Kenji and a crying baby Kanna in a convenience store. The author did not initially know that Kanna would grow into that young woman. [22] When asked if scenes in 20th Century Boys reflect his own childhood experiences, Urasawa said about 1/10 did.

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[175] In Germany, One Piece is the second best-selling manga behind Dragon Ball. The manga had sold 6. 7 million copies in the country. [176] Critical response Allen Divers of Anime News Network comments in 2003 that the art style One Piece employs "initially seems very cartoonish with much of the character designs showing more North American influence than that from its Japanese origins", adding that the "artwork and settings come across as timeless in their presentation". He also notes that the influence of Akira Toriyama (Dragon Ball) shines through in Oda's style of writing with its "huge epic battles punctuated by a lot of humor" and that, in One Piece, he "manages to share a rich tale without getting bogged down by overly complicated plots". [177] Rebecca Silverman of the same site stated that one of the series' strengths is to "blend action, humor, and heavy fare together" and praised the art, but stated that the panels could get too crowded for easy reading. [178] The website activeAnime describes the artwork in One Piece as "wonderfully quirky and full of expression". [179] Mario Vuk from Splash Comics commented that Oda's "pleasantly bright and dynamic" art style suits the story's "funny and exciting" atmosphere. [180] Isaiah Colbert of Kotaku called One Piece a "masterpiece", highlighting Oda's character writing, world-building and the balance between "fun and serious subject matter". [181] Dale Bashir of IGN wrote that One Piece is more about the world-building, adventuring, and the meaning of freedom instead of the "usual shonen battling" from series like Dragon Ball and Naruto. Bashir concluded: "While not everyone would want to go so far for a franchise that isn't even finished yet, trust me when I say that it is definitely worth it. 53 billion ($69. 42 million) grossed in Japan by 1995. [95] The First Slam Dunk, released in 2022, grossed over $279 million worldwide as of February 2024[update];[96] becoming one of the top ten highest-grossing anime films of all time. [97] Legacy and impact[edit] Slam Dunk is often considered as one of the most influential manga series in Japan and one of the greatest sports manga series of all-time. The success of Slam Dunk is cited as a cause for the increased popularity of basketball among the Japanese youth during the 1990s. [98] Alex Wong of Yahoo! Sports wrote that the work "inspired an entire generation of basketball players in Japan.