monotagari paradox live
[87][88][89] In January 2021, it was reported that Japanese sales of print books and magazines fell 1% in 2020 compared to the previous year, being the smallest per-year decline since 2006. This small decline was attributed to an increase in reading in Japan due to the COVID-19 pandemic and the "successful boom" of the Demon Slayer: Kimetsu no Yaiba manga and its related publications. [90] According to CharaBiz, a database for character licensing business in Japan, Demon Slayer: Kimetsu no Yaiba is the highest-grossing franchise of 2020, surpassing other well-known franchises such as Anpanman, Pokémon, Mickey Mouse and Peanuts (Snoopy). [91] According to a 2020 internet poll conducted by Oricon Monitor Research, over 90% of the Japanese public is familiar with Demon Slayer: Kimetsu no Yaiba; 40. 5% said that they were "very familiar", 57. 3% said that they were "familiar with the name", indicating that 97. 8% knew the existence of the series. Of the 1,558 respondents who said that they were "very familiar", 1,182 respondents "like" or "very liked" the series. To the question of "what part of the series do you like?", the series' story was the most popular aspect with 76. 4% votes, followed by the setting with 49. 3% and the relatability of the characters with 45."Grave of the Fireflies" (ほたるの墓, Hotaru no Haka)1:4615. "Sunset Colors" (夕焼け, Yūyake)0:5316. "Scene of Carnage" (修羅, Shura)3:0817. "Elegy / Song of Sorrow" (悲歌, Hika)3:1218. "Two (People) ~ End Title" (ふたり~エンドタイトル, Futari ~ Endo Taitoru)8:52Total length:58:13 Themes and analysis[edit] In his book about the film, Alex Dudok de Wit called Grave of the Fireflies an "unusually personal adaptation" of Nosaka's short story as Takahata had similar experiences during the war, though noted it deviated significantly in its portrayal of the children as ghosts in its opening sequence whereas the short story began immediately with the children losing their mother during the air raid. [25] Some critics in the West have viewed Grave of the Fireflies as an anti-war film due to the graphic and emotional depiction of the pernicious repercussions of war on a society, and the individuals therein. The film focuses its attention almost entirely on the personal tragedies that war gives rise to, rather than seeking to glamorize it as a heroic struggle between competing nations. It emphasizes that war is society's failure to perform its most important duty: to protect its own people. [26] However, Takahata repeatedly denied that the film was an anti-war film. In his own words, it "is not at all an anti-war anime and contains absolutely no such message". Instead, Takahata had intended to convey an image of the brother and sister living a failed life due to isolation from society and invoke sympathy particularly in people in their teens and twenties.
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