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Garp then asked what Kong had to be scared of if he had escorts, but when Kong mentioned Roger was involved, Garp immediately declared that he was going. However, the Rocks Pirates had already left Hachinosu. On God Valley, while the competition was underway, Ivankov started rallying several people by telling them that none of them would escape from this "game" alive, and when it was all said and done, the events would be hidden from the history books. Some people believed that they would go free if they survived the three weeks of the competition, but Ivankov stated that was a lie to give them false hope in order to make the game more interesting. Therefore, if they wanted to live, they needed to move right now. With help from a shark fish-man, Ivankov was freed from his chains, and Ginny told everyone that two of competition's prizes would be their means of escape: the Uo Uo no Mi, Model: Seiryu and the Nikyu Nikyu no Mi.

Will discovers, however, that every oath must be fulfilled, one way or another. [Written by MAL Rewrite] StudioChildren's Playground Entertainment SourceLight novel ThemesIsekaiReincarnation 6. 86 300K Add to My List Gaikotsu Kishi-sama, Tadaima Isekai e Odekakechuu 299453 7. 16 20220407 Gaikotsu Kishi-sama, Tadaima Isekai e Odekakechuu TV, 2022Finished 12 eps, 23 min Action Adventure Fantasy Gaikotsu Kishi-sama, Tadaima Isekai e Odekakechuu After falling asleep while playing an online game, a man wakes up and finds himself transported to that game's world as his in-game character, Arc. He wastes no time adjusting to his new environment, but soon realizes that he is using the skeleton avatar he chose when creating his character, which forces him to hide his visage to avoid unwanted attention. Arc goes to the nearby castle town of Luvierte, hoping to become an adventurer and take on quests to earn money.

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"Japanese Comic Ranking, October 1–7". Anime News Network. Archived from the original on November 26, 2018. Retrieved October 10, 2018. ^ Chart references: Loo, Egan (December 31, 2007). "Japanese Comic Ranking: Top 10 Manga of 2007". Anime News Network. Archived from the original on December 2, 2021. Retrieved May 19, 2018. ^ Loo, Egan (December 16, 2012). "2008's Top-Selling Manga in Japan, #1-25 - News". Anime News Network. Archived from the original on May 5, 2023. Retrieved March 3, 2024. ^ "Suzume". Rotten Tomatoes. Fandango Media. Archived from the original on May 23, 2019. Retrieved April 24, 2020. ^ "One-Punch Man: Season 2". Rotten Tomatoes. Fandango Media.
Each new arc introduces more and more characters who become little more than blips on the show’s radar, unintriguing toys for Cid to use for whatever fantasy kick he’s on at the moment. They are constantly janked around by forces they don’t understand, which does little to make them compelling players in the larger game.
But within the desert of characterization stand Alexia and Iris, sisters to their own Midgar throne, as the exceptions to the material’s obsession with Cid being detrimental to everyone else. Their early introduction plot-wise and the fixation both on their personal status and relationship to one another and the larger-scale circumstances more-cohesively set off their personal journeys. Both are perplexed by both the antagonistic forces in their world and Shadow Garden’s mysterious presence, unsure what to make of them. Alexia especially acknowledges her own lack of understanding of what is transpiring since she’s not privy to her sister’s circle of information among the knights or overall skill; she takes the first step into becoming more proactive in the grand scheme of *The Eminence in Shadow’s* shenanigans. Her resolve, and the resulting alliance she forms, is one of the show’s shining moments for developing its intrigue.
I’ve used the word “moment” more than once throughout the course of talking about *The Eminence in Shadow,* and that’s because it’s the show’s ultimate flaw. Underneath the choking meta humor jokes, the occasional bits of good action, mediocre characterization, and the show’s aesthetic managing to capture the balancing act it’s trying to perfect, the show is propelled by moments, not narrative. The good moments come too few and far between; it leaves the rest of the experience pertaining to the Cult of Diabolos (or “Diablos,” depending on who’s translating it) and its actual world lumbering along until it gets to the next meme-worthy instance. It comes in both the form of emphasizing things that don’t really need to be emphasized, or blasting through things when it should stop and catch its breath.