attack on titan season 2 episode 6 86 en lettres français
[73] The thirteenth and final volume of the series sold 39,759 copies in its first week. [74] Critical reception[edit] Publishers Weekly wrote that the mysterious first volume and Kaku's detailed illustrations, which they found to be reminiscent of Junji Ito's horror manga and give the series an unsettling, gruesome charm, start the series off with promise. [3] Reviewing the first chapter for The Fandom Post, Chris Beveridge gave it a B grade for its artwork, interesting ideas and covering a lot of ground in its setup so it can move forward. The end reveal reminded him of the novel Annihilation. However, he felt the structure was a little awkward and expressed concern that it would fall into the "usual manga storytelling traps. "[75] In a review of the second collected volume, Beveridge's colleague Richard Gutierrez said that while the nightmarishly beautiful images and action might be what initially draws in readers, it is the "underlying complex character construction within this sadistic story which forces us to stay. "[76] Leroy Douresseaux called Hell's Paradise: Jigokuraku volume 1 as one of the best first volumes of a manga tankōbon/graphic novel that he has ever read in a 9/10 review for Comic Book Bin. He stated that Kaku enthralls readers with the mysteries of the island while his illustrations are "like taking some of the most shocking art from the legendary EC Comics' horror titles and multiplying it by the power of 10. "[77] Kiara Halls of Comic Book Resources called the first volume a "great, emotional bloodbath" that provides "bloody, classic shonen action with uncommonly sincere emotional depth. " She explained that while establishing the relationship between Sagiri and Gabimaru forms the crux of the volume, it's an uncommon one as their bond is "of mutual respect formed by an emotional connection," not of dominance or lust. That coupled with "solid, detailed art and supernatural intrigue," had Halls call the series a potential breakout hit.
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