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2020 One
Piece 894 :
Chapitre 894 11 Dec. 2020 One Piece 893 : Chapitre 893 11 Dec. 2020 One Piece 892 : Chapitre 892 11 Dec. 2020 One Piece 891 : Chapitre 891 11 Dec. 2020 One Piece 890 : Chapitre 890 11 Dec. 2020 One Piece 889 : Chapitre 889 11 Dec. 2020 One Piece 888 : Chapitre 888 11 Dec. 2020 One Piece 887 : Chapitre 887 11 Dec. 2020 One Piece 886 : Chapitre 886 11 Dec. 2020 One Piece 885 : Chapitre 885 11 Dec. 2020 One Piece 884 : Chapitre 884 11 Dec.
Shaka connects this event to the Ohara Incident, suggesting that the Buster Call was ordered on Ohara because the scholars attempted to study the Void Century. Knowing Clover, Shaka visited the destroyed island to pay tributes, but
discovered books discarded in a lake. This suggests that the scholars sacrificed their lives to throw the books out of the burning Tree of Knowledge, saving the
writings from being destroyed. In addition, Olvia insisted that Robin escape Ohara alive so their knowledge would not be lost. Seeing the dedication of the Ohara scholars to preserve the writings of the past, Robin begins to cry. Concluding his story, Shaka states that he had the books excavated out of the lake, but encountered an unknown person. Meanwhile, Luffy and Chopper examine the robot in the Fabiriophase junkyard, and attempt to locate its cockpit to ride it, after which they try in vain to activate it. Though they fail to activate it, they are knocked back by an explosion-like force. They discover that an unknown old man has attempted to warp to the location, having warped halfway inside the robot where he is now stuck. After Luffy pulls the man out, Bonney recognizes him as the original Dr. Vegapunk, leading scientist of the SSG.
He decided that his best approach with creating Senku was to create a character that was ambitious and chose to actively push themselves
through hard work in order to fulfill their goals. [3][4] He also wanted to create a character that closely resembled the character Agon Kongo from his own manga serialization Eyeshield 21 in terms of personality and characteristics and felt that it was appropriate for the chosen setting. [5] Inagaki was personally fascinated by the topic of science as a child and sought to create a science-based story for entertainment
purposes that also featured common themes and messages that would be compelling for the audience. [3] In regards to influences, Inagaki stated that Video Girl Ai was a series that had a significant impact on the story's development. [3] Inagaki works remotely with his illustrator Boichi in which the former sends his own created storyboards to the latter through his own editor. [4] By the time the pair began working on the series, Inagaki was already quite familiar with Boichi's work as an artist and initially struggled with expressing his ideas for his collaborator to illustrate, often times being uncertain about how to draw some of Senku's inventions and how to make them feel impressive. [6] While developing the setting for the series, Boichi grew captivated imagining how to create the look of a futuristic Japan set 3700 years after humanity had turned to stone. He settled upon the idea of creating a vast beautiful world in which Japan's nature was left untarnished due to the loss of humanity's influence. [6] When asked about scientific accuracies, Inagaki revealed that both himself and Boichi have conducted research into the subject during the development of the series while also receiving help from a consultant. [6] Adaptation[edit] Director Shinya Iino expressed that one of the challenges with adapting the series into animation was determining how the backgrounds would appear in a different medium. He would go on to state that Boichi had provided his assistance by sending his own rough sketches as a way to facilitate the adaptation process.
