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2Anime 2. 3Animated feature film series 2. 4Games 2. 5Live-action film 2. 6Soundtracks 3Reception Toggle Reception subsection 3. 1Commercial reception 3.
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E5 ∙ Bright Red SwordSun, May 7, 2023When a group of Goldfish Demons attacks the Swordsmith Village, Mitsuri's crow informs her about the attack. Mitsuri heads to the rescue of the village. 9. 2/10 (4. 1K)RateS3. E6 ∙ Aren't You Going to Become A Hashira?Sun, May 14, 2023After beheading three clones, Tanjiro stumbles upon Genya who has beheaded Aizetsu but has now changed in appearance. Genya recalls his past. 8. 7/10 (2. 7K)RateS3. E7 ∙ Awful VillainSun, May 21, 2023Genya entrusts Tanjiro with the task of beheading Hantengu. It is revealed that Chlammy's ancestors were slaves to Fiel's ancestors for generations, though Chlammy and Fiel treat each other as equals. Sora tries to convince Chlammy that public bathing is a great way to bond as allies. In the hidden library at night, Chlammy tells Sora that they cannot rely on chance and must avoid making any missteps. The next day, Sora, Shiro, Stephanie and Jibril visit the embassy once again. Before the game begins in the arena, Ino informs an observant public audience that the wager will be Imanity's king race piece and Elkia's territory versus the Eastern Union's entire land. Chlammy and Fiel monitor any trace of cheating. Sora, Shiro, Stephanie and Jibril, as well as their opponent Izuna, are transported to a virtual reality field that resembles Tokyo. Sora and Shiro enter into a devoid state due to their agoraphobia. 11"Killing Giant""Kiringu Jaianto" (誘導法(キリング・ジャイアント))Masaki HyugaKento ShimoyamaJune 18, 2014 (2014-06-18)[91] Sora and Shiro snap out of their funk after Ino reminds them that they are in a virtual reality field. Ino explains that the challenge will be a game of cops and robbers, where they use lovey-dovey guns that shoot heart-shaped bullets against non-player characters in the form of animal girls. Stephanie remains clueless about the rules of the game.
Sometime later, back in her hometown in Kyushu, Suzume makes her way to school. To her surprise, she runs into Souta again, at the same location where they first met. Voice cast[edit] Character Cast Japanese English[4] Suzume Iwato (岩戸 鈴芽, Iwato Suzume) Nanoka Hara[5]
Akari Miura (young)[6] Nichole Sakura
Bennet Hetrick (young) Souta Munakata (宗像 草太, Munakata Sōta) Hokuto Matsumura[7] Josh Keaton Tamaki Iwato (岩戸 環, Iwato Tamaki) Eri Fukatsu[8] Jennifer Sun Bell Minoru Okabe (岡部 稔, Okabe Minoru) Shota Sometani[8] Roger Craig Smith Rumi Ninomiya (二ノ宮 ルミ, Ninomiya Rumi) Sairi Ito[8] Amanda C. Miller Chika Amabe (海部 千果, Amabe Chika) Kotone Hanase[8] Rosalie Chiang Tsubame Iwato (岩戸 椿芽, Iwato Tsubame) Kana Hanazawa[8] Allegra Clark Hitsujirō Munakata (宗像 羊朗, Munakata Hitsujirō) Matsumoto Hakuō II[8] Cam Clarke Tomoya Serizawa (芹澤 朋也, Serizawa Tomoya) Ryunosuke Kamiki[9] Joe Zieja Daijin (ダイジン) Ann Yamane[10] Lena Josephine Marano Miki (ミキ) Aimi[11] Mela Lee Production[edit] Development[edit] The 2011 Tōhoku earthquake and tsunami served as an influence for the film. The stranded catamaran Hamayuri [ja] in this aerial image taken in Ōtsuchi, Iwate became the prototype of the stranded vessel appearing in the afterlife scene. Makoto Shinkai conceived the idea for Suzume while he was traveling around Japan to give talks about his past works. He said, "In Japan, it is customary to hold a jichin-sai [ja] or groundbreaking ceremony, before construction begins on a new building or home, but we do nothing when we close them down. " Shinkai noticed that there were more empty or abandoned areas in Japan due to the country's declining birth rate and aging population, so he thought of writing a story about "mourning deserted places. "[12][13] As a result, the film inevitably turned into a road movie about visiting places. [14] The 2011 Tōhoku earthquake and tsunami served as an influence for the themes in the film. While the Tiamat comet in Your Name (2016) and the concept of Weathering with You (2019) were ideas influenced by the natural disaster, Shinkai felt that he should "express the impact [he] felt through the earthquake and tsunami, instead of continuing to depict it as a metaphor.
Akari Miura (young)[6] Nichole Sakura
Bennet Hetrick (young) Souta Munakata (宗像 草太, Munakata Sōta) Hokuto Matsumura[7] Josh Keaton Tamaki Iwato (岩戸 環, Iwato Tamaki) Eri Fukatsu[8] Jennifer Sun Bell Minoru Okabe (岡部 稔, Okabe Minoru) Shota Sometani[8] Roger Craig Smith Rumi Ninomiya (二ノ宮 ルミ, Ninomiya Rumi) Sairi Ito[8] Amanda C. Miller Chika Amabe (海部 千果, Amabe Chika) Kotone Hanase[8] Rosalie Chiang Tsubame Iwato (岩戸 椿芽, Iwato Tsubame) Kana Hanazawa[8] Allegra Clark Hitsujirō Munakata (宗像 羊朗, Munakata Hitsujirō) Matsumoto Hakuō II[8] Cam Clarke Tomoya Serizawa (芹澤 朋也, Serizawa Tomoya) Ryunosuke Kamiki[9] Joe Zieja Daijin (ダイジン) Ann Yamane[10] Lena Josephine Marano Miki (ミキ) Aimi[11] Mela Lee Production[edit] Development[edit] The 2011 Tōhoku earthquake and tsunami served as an influence for the film. The stranded catamaran Hamayuri [ja] in this aerial image taken in Ōtsuchi, Iwate became the prototype of the stranded vessel appearing in the afterlife scene. Makoto Shinkai conceived the idea for Suzume while he was traveling around Japan to give talks about his past works. He said, "In Japan, it is customary to hold a jichin-sai [ja] or groundbreaking ceremony, before construction begins on a new building or home, but we do nothing when we close them down. " Shinkai noticed that there were more empty or abandoned areas in Japan due to the country's declining birth rate and aging population, so he thought of writing a story about "mourning deserted places. "[12][13] As a result, the film inevitably turned into a road movie about visiting places. [14] The 2011 Tōhoku earthquake and tsunami served as an influence for the themes in the film. While the Tiamat comet in Your Name (2016) and the concept of Weathering with You (2019) were ideas influenced by the natural disaster, Shinkai felt that he should "express the impact [he] felt through the earthquake and tsunami, instead of continuing to depict it as a metaphor.