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^ De la Cruz, Bruno (December 10, 2020). "Kurokawa va sortir le manga Demon Slave de Takahiro (Red Eyes Sword)" (in French). Anime News Network. Archived from the original on April 17, 2021. Retrieved April 17, 2021. ^ "Demon Slave Cut-Price 1" (in Italian). Panini Comics. Archived from the original on April 26, 2022. Retrieved March 14, 2022. ^ "Chained Soldier, Vol. 1".

Retrieved December 17, 2022. Episode 28: Pineda, Rafael Antonio (October 23, 2021). "Japanese Animation TV Ranking, October 11–17". Anime News Network. Retrieved December 17, 2022. Episode 29: Pineda, Rafael Antonio (October 30, 2021).

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Sometime later, Lucy fulfills her dream of traveling to the Moon but is despondent that David is not there with her, imagining a vision of him, one before he became an edgerunner standing alongside her. Reception[edit] In its first week, the show debuted on the Netflix top ten with 14. 88 million hours viewed. [21] Its success helped increase the sales of Cyberpunk 2077 to 20 million units sold. [22] Critical response[edit] Cyberpunk: Edgerunners was acclaimed by critics and fans. On the review aggregator website Rotten Tomatoes, 100% of 16 critics' reviews are positive, with an average rating of 8. 8/10. The website's consensus reads: "Booting up Night City with frenetic action and awe-inspiring visual flair, Edgerunners is an exceptionally stylish anime adaptation of the world Cyberpunk established. "[23] Jonathon Wilson wrote for Ready Steady Cut that in "many ways, this is the Cyberpunk story the Cyberpunk game wanted to tell and couldn't. "[24] Matt Kim of IGN praised the exploration of the hostile life in Night City, specifically the visual effects, noting more of the focus was on the city rather than on some of the characters, and calling it "a wild ride, but worth every blistering second". [25] In a review for Polygon, Kambole Campbell praised the "visual language for various in-game concepts," as well as the "sonic diversity in its score" and found that the show's best aspect was "[its] ability to depict the psychological unmooring of its characters without feeling inauthentic. Archived from the original on January 18, 2021. Shimada, Kazushi (September 1, 2020). いま最もぶっ飛んだ漫画『チェンソーマン』 「わかりやすさ」から逸脱する、前衛的な表現を考察. Real Sound [ja] (in Japanese). Blueprint Co. , Ltd.
) and some trippy scenes. As a whole however, for me personally, this enjoyment was countered by the movies refusal to allow the audience to be able to discern reality from illusion. Now of course, I don't want to have things spelled out for me. I enjoy having my perception toyed with as much as the next person, but by the end of a movie, especially after watching more than once, I expect to at least have some grasp on what was "really" going on. Otherwise I just feel confused and frustrated wondering what the point to the whole thing was. Maybe with Perfect Blue that was the point.