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Helmeppo and Grus get worried while Koby apologizes for being tricked and needing him to be saved, but Garp explains that Shiryu was aiming at him the whole time. The Blackbeard Pirates start getting hopeful that they can take Garp down now that he’s injured, with special motivation being that he is worth around 3,000,000,000 at the Cross Guild. Kuzan rushes forward and tells the others that even if they bind Garp’s arms and legs, they still will not be able to kill him. He then prepares to use a move called Ice Glove. In a flashback, a young Kuzan asks Garp to train him, but Garp refuses, telling him to learn from the instructors, though Kuzan tells him he already knows everything he can from them. Though Garp still told him no, he eventually found himself doing so, with the two of them using battleships as punching bags. At first, Kuzan struggled because he was not as strong as Garp, but as time passed, his punches eventually reached the same level as Garp’s. By the time Kuzan became “Admiral Aokiji”, his relationship with Garp was still strong, until the present day. Kuzan tells Garp he raised a troublesome enemy in him, but Garp tells Kuzan he is done with him while calling him a foolish student, and they strike each other with Haki-coated fists, creating a huge shockwave that blows both of them back. Pizarro tells the Marines that their hopes of escaping Hachinosu are slim because of how many pirates are on the island. He also tells them that their ship is not safe from him, and he proves it by morphing part of the island into a giant hand to crush Garp’s ship, all the while proudly declaring that this action will make him stand out among the Blackbeard Pirates.

Durand said "the sense of tragedy is greater" in the manga's telling of the "fall of the Silver Millennium," giving more detail about the origins of the Four Kings of Heaven and on Usagi's final battle against Queen Beryl and Metaria. Durand said the anime omits information that makes the story easy to understand, but judges the anime as more "coherent" with a better balance of comedy and tragedy, whereas the manga is "more tragic" and focused on Usagi and Mamoru's romance. [145] For the week of September 11, 2011, to September 17, 2011, the first volume of the re-released Sailor Moon manga was the best-selling manga on The New York Times Manga Best Sellers list, with the first volume of Codename: Sailor V in second place. [146][147] The first print run of the first volume sold out after four weeks. [148] In English-speaking countries, Sailor Moon developed a cult following among anime fans and male university students. [12] Patrick Drazen says the Internet was a new medium that fans used to communicate and played a role in the popularity of Sailor Moon.

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[16] In 2016, nineteen years after the start of serialization, the author said that the manga has reached 65% of the story he intends to tell. [17] In July 2018, on the occasion of the twenty-first anniversary of One Piece, Oda said that the manga has reached 80% of the plot,[18] while in January 2019, he said that One Piece is on its way to the conclusion, but that it could exceed the 100th volume. [19] In August 2019, Oda said that, according to his predictions, the manga will end between 2024 and 2025. [20] However, Oda stated that the ending would be what he had decided in the beginning; he is committed to seeing it through. [21] In a television special aired in Japan, Oda said he would be willing to change the ending if the fans were to be able to predict it. [5] In August 2020, Shueisha announced in the year's 35th issue of Weekly Shōnen Jump that One Piece was "headed toward the upcoming final saga. "[22] On January 4, 2021, One Piece reached its thousandth chapter. [23][24][25] In June 2022, Oda announced that the manga would enter a one-month break to prepare for its 25th anniversary and its final saga, set to begin with the release of chapter 1054. [26] Media Further information: List of One Piece media Manga Main article: List of One Piece manga volumes Written and illustrated by Eiichiro Oda, One Piece has been serialized by Shueisha in the shōnen manga anthology Weekly Shōnen Jump since July 22, 1997. [27][28] Shueisha has collected its chapters into individual tankōbon volumes. The first volume was released on December 24, 1997. White BearWhite FoxWHOPPERSWicky. RecordsWill PaletteWindy StudioWinfuture MediaWise GuyWit StudioWolf Smoke StudioWolfsbaneWonder Cat AnimationWonder KidsWonderful WorksWong Ping Animation LabWorld Cosplay SummitWOWMAXWOWOWWright StaffWulifangWWWaveXanthus MediaXebecXEBEC M2XFLAGXFLAG PicturesXiaoming TaijiXingXing Xing DonghuaXing Yi Kai ChenXuanshi TangmenXuanyuan NetworkXuni Ying YeY&N BrothersY. O. U. CYAB EntertainMentYahoo! JapanYamaha Music CommunicationsYamamura Animation, Inc. YamasaYamato WorksYamikenYaoqiYaoyorozuYear Young CultureyellYellow FilmYHKT EntertainmentYi AnimationYi Chen AnimationYikuiduo AnimationYili Animation StudioYinhe Changxing CultureYokohama Animation LabYomiko AdvertisingYomiuri AdvertisingYomiuri ShimbunYomiuri TelecastingYomiuri TV EnterpriseYonago GainaxYoon's ColorYoshimoto Creative AgencyYoshimoto KogyoYostarYostar PicturesYoukuYouliao StudioYoumexYouth Film StudioYTVYudubai AnimationYuewen Animation & ComicsYuhodoYUKE'SYumearuYumeta CompanyYuntu AnimationYunyi Animation YURUPPE Inc.

In many ways, he resembles a typical shounen hero. He is hot-headed, makes frequent out-of-place jokes (which I never once found funny, by the way), and refuses to ever think things through in a logical process, preferring instead to jump into battles he cannot win or to lash out at innocent people merely because his pride and fragile ego are called into question by his own mistakes. He thinks he is the coolest dude in the world, that he can save everyone through his own power, and the mere presence of someone with more skill than him offends him right to the very core. He yells and cries on a regular basis and seems incapable of having a normal conversation with anyone. Subaru is a child, and without any doubt one of the more infuriating characters I have witnessed in perhaps ever. There were points in the story where his characterisation legitimately made me angry and made me want to stop watching the show. Some moments were honestly baffling, too, such as how he switches from being completely mind-broken during the events of the fifteenth episode to being totally normal (albeit with a desire for revenge) in the next.
I say all this, but the eighteenth episode is actually one of the best episodes of anime I have seen in quite some time.
Let me explain.
Where the first two thirds of the anime spent its time showcasing unnecessary gore, Subaru's stupidity and empty characters who exist for little more than space on hug pillows and other creepy merchandise, the eighteenth episode redeems the anime and gives meaning to all that has happened, even if it doesn't erase its mistakes. It is an episode dedicated entirely to characterisation.