made in abyss personnage saison 2
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and speaks five languages. His expertise varies from Alfred Hitchcock movies to Bleach, as he has explored a lot of fictional universes and authors. He is currently focusing on anime, his childhood love, with special attention given to Bleach, One Piece, Pokemon, Jujutsu Kaisen, and Demon Slayer. He has also written movie reviews and analytical articles and has been featured on
sites such as IMDb. He is currently writing for Fiction Horizon on a permanent basis.
Most recently, he has been following The Thousand-Year Blood War arc of Bleach, Nier: Automata ver1.
What are your feelings about
that phrase, and can you explain why SNK of America couldn't or wouldn't rewrite such an obvious mangling of the English language, at least for the $300 home cartridge? CO: Oh man! The US office always fought to have the text changed, not just in Sam Sho 2, but in other games as well. However, the time and money it took to fix these text problems were too much compared to the number of actual sales the game would produce. Later on, when I was working at Sony, I was assigned to produce the SNK NeoGeo ports for the Sony PlayStation. I had leverage at Sony to make SNK change the text for the PlayStation versions. SNK's localization quality went downhill starting with Samurai Shodown II. At least the game played so well that most people didn't care about the shoddy translation. GS: We've already discussed that SNK consolidated its operations during the mid-1990s. Not to beat a dead horse, but can you put a personal spin on why that
occurred and how it affected you? Feel free to avoid burning bridges. CO: From a financial standpoint, it was more efficient to consolidate the two offices and cut marketing dollars for the home version. I got into the game industry and starting working for SNK because I always wanted a hand in developing games. When SNK scaled back their development house and refocused on the arcade sector, I realized I wasn't going to be able to make games if I stayed at SNK.
