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As Nekota began training students during his stay at the gym,
Ippo noted how experienced he was to Takamura. Ippo and Takamura then discussed how Takamura's next match may be decided soon, with Ippo realising that Takamura was already preparing for his junior middleweight world match. Later, Nekota left the gym to go back to his pension, with Ippo giving him his farewells. Ippo then received his tickets to Sendō's title defence against Shigeta. Lallapallooza Arc Ippo is handed the mic by Sendō. On the train to Osaka, Ippo and Kamogawa discussed the odds of Sendō winning against Shigeta. When they arrived to the Osaka Prefectural Gymnasium, they were met with an old woman before the match who they discovered was Sendō's grandmother. Just as Sendō's second JBC featherweight title defence match against the confident Shigeta was about to begin, Ippo had to leave the seats to take the grandmother to the bathroom. When Ippo returned with the grandmother, he was shocked to witness Sendō getting hit in a one-sided fight in the first round. When asked what he would do against Shigeta, Ippo told Kamogawa his close-ranged plan of
going against the southpaw's right jabs, however Kamogawa notes that the difference between Ippo and Sendō is that Sendō attacks in middle range, with middle range being in Shigeta's favour. After Sendō defeated Shigeta in the third round, an interview commenced.
In one common variation, a 360° spin may be completed prior to or simultaneously with the tomahawk.
Circa 2009, independent slam dunker Troy McCray pioneered an especially complex variant of the dunk: once the tomahawk motion is complete, instead of slamming the ball in the rim, a windmill dunk (see below) is then performed. [38] Windmill[edit] Before takeoff, or at the onset of the jump, the ball is brought to the abdomen and then the windmill motion is started by moving the ball below the waist according to the length of the player's fully extended arm. Then
following the rotation of the outstretch arm, the ball is moved in a circular motion, typically moving from the front towards the back, and then slammed through the rim. Although, due to momentum, many players are unable to palm the ball through the entire windmill motion, the dunk is often completed with one-hand as centripetal force allows the player to guide the ball with only their dunking hand. In some instances sticky resins or powders may be applied to the palm, these are thought to improve grip and prevent loss of possession. [39] Amongst players, subtle variations in the direction of the windmill depend on bodily orientation at takeoff and also jumping style (one-foot or two-feet) in relation to dominant hand. There are a number of variations on the windmill, the most common being the aforementioned one- or two-hand variants. In these cases, the windmill motion may be performed with the previously discussed one-arm technique and finished with one- or two-hands, or the player may control the ball with two hands, with both arms performing the windmill motion, finishing with one or both hands. Additionally, the ball may be cuffed between the hand and the forearm—generally with the dominant hand. The cuff technique provides better ball security, allowing for a faster windmill motion and increased force exerted on the basket at finish, with either one or both hands.
^ Takahashi, Rika (1999). "Weekly Jump 1999 Issue 37-38". EX. org.
Archived from the original on May 26, 2000. Retrieved October 10, 2018. ^ Philips, George (September 26, 2001). "Upcoming Anime in Japan". Anime News Network. Archived from the original on June 19, 2020. Retrieved October 10, 2018.
