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The descriptive noun is chichi (父). Ojisan (叔父さん/小父さん/伯父さん): uncle, or also "middle-aged gentleman". O-jiisan (お-祖父さん/御爺さん/お-爺さん/御祖父さん): grandfather, or also "male senior-citizen". O-kāsan (お-母さん): mother. The descriptive noun is haha (母). Obasan (伯母さん/小母さん/叔母さん): aunt, or also "middle-aged lady".

Muller realizes that he was used to lure Nina into a trap, and Roberto takes Nina, promising to take her to Johan despite Roberto's plan to kill Nina, and leave her with his subordinates. However, Muller suddenly arrives and rescues her, although he is shot in the process. 22"Lunge's Trap"
Transliteration: "Runge no Wana" (Japanese: ルンゲの罠)Yukihiro MiyamotoKazuyuki FudeyasuSeptember 1, 2004 (2004-09-01)December 28, 2009 Lunge determines that the murder of a wealthy, middle-aged, childless couple does not fit the usual modus operandi of the serial murders, but uses it as an opportunity to lure Tenma to a trap. He actually suspects the nephew who stands to inherit their estate. Tenma visits the murder scene and also realizes that it is a copy-cat murder. Lunge catches Tenma in the house, but, before Lunge can arrest him, he is critically wounded by the nephew, the real criminal.

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Following directions from a fan letter, Mima discovers a website called "Mima's Room" containing public diary entries written from her perspective, which has her daily life and thoughts recorded in great detail. During her former idol and acting career, she is joined by manager and former pop-idol Rumi Hidaka and her agent, Tadokoro. Mima confides in Rumi about "Mima's Room", but is advised to ignore it. Mima's first job is a minor role in a television detective drama called Double Bind; however, Tadokoro lobbies the producers of Double Bind, and succeeds in securing Mima a larger part that involves a rape scene. Despite Rumi's objections, Mima accepts the role, although this leaves her mentally distressed. On her way home, she sees her reflection dressed in her former idol outfit. The reflection claims she's "the real Mima". Between the ongoing stresses of filming Double Bind, her lingering regret over leaving CHAM!, her paranoia of being stalked, and her increasing obsession with "Mima's Room", Mima begins to suffer from psychosis: in particular, struggling to distinguish real life from her acting life, and having repeated apparently unreal sightings of her former self, "the real Mima". Several people who had been involved in her acting are murdered. Mima finds evidence in her closet which suggests her to be the prime suspect, and her mental instability makes her doubt her own memories and innocence, as she recalls brutally murdering perverted photographer Murano. Mima manages to finish shooting Double Bind, the final scene of which reveals that her character killed and assumed the identity of her sister due to trauma-induced dissociative identity disorder. The series' opening theme is "A Cruel Angel's Thesis", performed by Yoko Takahashi. It ranked on two TV Asahi polls, reaching 55th for best anime theme songs of all time, and eighteenth for best anime theme songs of the 1990s. [115][116] Fifteen years after its release, the theme won JASRAC's annual award for the royalties it continues to generate from its usage in pachinko, pachislo, karaoke and other venues. [117] The ending theme of the series is "Fly Me to the Moon", arranged and sung by Claire Littley and various other singers from the main vocal cast. [118] Video games[edit] See also: List of Neon Genesis Evangelion video games Several video games based on the series have been developed, ranging from RPG and adventure games to mahjong and card games. The series has also spawned visual novels, two of which inspired the romance and comedy-focused manga series Angelic Days and Shinji Ikari Raising Project. Releases[edit] Japan[edit] Cover for the Blu-ray box set in Japan The original home video releases in Japan included VHS and Laserdisc sets using a release structured around "Genesis 0:(volume number)", with each of the first twelve releases containing two episodes each. Each of the episodes received minor changes and episodes from the twenty-first to the twenty-fourth were extended with new scenes. "Genesis 0:13" and "Genesis 0:14" contained the original and the alternate versions of the last two episodes first presented in Neon Genesis Evangelion: The End of Evangelion. A fifteenth and final release for Laserdisc, entitled "Genesis 0:X", contained the broadcast versions of the episodes from the twenty-first to the twenty-fourth and was a special mail-in offer for fans who purchased all fourteen discs. [119][120] The first Japanese DVD release was spread across seven volumes; all contained four episodes, with the seventh volume containing both the original and alternate versions of the last two episodes.

Tomo-chan is a very sweet romcom anime about young love, that is very apparent. I think it started off quite strong, with good comedy and cute strong characters. I love the dynamics between Carol-chan and Misuzu, with them bickering at times but always having one another's back. Misuzu also is like definitely the best girl in the show. As for our main couple, I'm not really that interested in them? Even after watching I don't feel much sentimental value for them which is? Questionable. It just dragged a-lot with the whole romance aspect, it's a ROM-com, so I was expecting like . a little more romance, maybe a few more kiss scenes, like please? We did not really see Jun's perspective like that much at all, which also would've been interesting.