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[103] Silverman also comments on the anime's attention to detail, noting the inclusion of deep
breaths in, the movement of muscles in player's legs, and point of view
shots that follow the ball during rallies. [104] Isaac Ackers applauded the anime for its creation of intensity without having to use the speed of real-life sports, noting that it "[tightens] its focus on individual moments, making each point a peak and each second leading up to those peaks essential. Instead of speeding up, it slows down. It hangs on specific plays, stretches out the time the volleyball is in the air, emphasizes the moments in between. It's simple, but it's sublimely effective. "[105] Rafael Motamayor of Slash Film commended the anime, stating that "the best part of Haikyu!! is the way the show integrates
relationships and character stories into the
actual sport", noting that "what may look like a simple toss suddenly turns into a vital lesson in building trust with your teammates, and the planning and staging of a spike also means addressing and confronting years of self-hatred and doubts". He also complimented the combination of Production I. G's fluid animation and Yuki Hayashi's soundtrack, which "[elevate] a simple game into an operatic duel of fates", with "visual metaphors that [turn] every pass into a battle". [106] Guillermo Kurten of Comic Book Resources praised Haikyu!! for its outstanding characterization and for its execution of an entertaining story, even for those who do not enjoy sports or have no volleyball knowledge. [107] K. Thor Jensen of Mashable listed it on his list of the best sports anime.
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Bunko J. January 25, 2013. Retrieved May 19, 2018. ^ "No
Game No Life, Vol. 3 (light novel)". Yen Press.
He rejected coincidences related to magic and wanted to create a more realistic and accurate
world to show what happens during a brain transplant. He was also against the idea of a man turning into a woman leading to perverted jokes about cleavage and lacking a penis. Instead, with Kiruko, he wanted the scenario to be more realistic. Another theme involves how relationships would change if somebody's sex changed. He often writes metaphorical situations with Kiruko's menstrual cycle being caused by clashing with Maru's lips when awakening from an
hallucination from a Hiruko's attack. [16] Kiruko a represents a gradation of spiritual sexuality. The school is depicted as a kind of thought experiment in a world where sexual elements are abolished. The Hiruko in general were based on diseases as well as Cambrian-period organisms. [18] Adaptation[edit] Director Hirotaka Mori was worried about whether or not he would be able to handle it. However, he had known the animation producer Masashi Ohira for a long time since he started directing, who motivated him to work on it. He felt like he was going to have a good time.
