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This lack of an identity also permeates the narrative and overarching worldbuilding to a degree that I have to address. When a series attempts to be subversive or even hold deconstructive elements to its genre, normally this involves acknowledging the well-established tropes typically associated to its genre, before supplanting their intentions. Goblin Slayer, at least in its first season, does not do this.
Author Ichabod Spencer states that "spiritual pride is the worst kind of pride, if not worst snare of the devil. The heart is particularly deceitful on this one thing. "[42] Jonathan Edwards said: "remember that pride is the worst viper that is in the heart, the greatest disturber of the soul's peace and sweet communion with Christ; it was the first sin that ever was and lies lowest in the foundation of Satan's whole building and is the most difficultly rooted out and is the most hidden, secret and deceitful of all lusts and often creeps in, insensibly, into the midst of religion and sometimes under the disguise of humility. "[43] The modern use of pride may be summed up in the biblical proverb, "Pride goeth before destruction, a haughty spirit before a fall" (abbreviated "Pride goeth before a fall", Proverbs 16:18). The "pride that blinds" causes foolish actions against common sense. [44] In political analysis, "hubris" is often used to describe how leaders with great power over many years become more and more irrationally self-confident and contemptuous of advice, leading them to act impulsively. [44] Throughout history, artists have found inspiration in the timeless themes of morality and human nature, and the seven deadly sins have been a particularly fertile subject for exploration. These sins, traditionally categorized as pride, envy, wrath, sloth, avarice, gluttony, and lust, have been depicted in a variety of ways, from allegorical representations to satirical observations of human behavior. One of the most notable artists to tackle this subject was Pieter Bruegel the Elder, a Flemish painter of the Renaissance. His 1557 series of woodcuts, known as the "Seven Deadly Sins," vividly captures the essence of each sin through a series of grotesque and comical scenes. In "Sloth," a group of slovenly individuals sleep soundly, oblivious to the world around them.
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