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[34] A third manga by Matsuse, titled Re:Zero -Starting Life in Another World-, Chapter 3: Truth of Zero (Re:ゼロから始める異世界生活 第三章 Truth of Zero, Re: Zero Kara Hajimeru Isekai Seikatsu Dai-San-Shō: Truth of Zero) began serialization in Comic Alive's July 2015 issue on May 27, 2015. [24][35] The final chapter was published on September 27, 2019. [36] Yen Press also publishes the third adaptation. [37] A fourth manga, titled Re:Zero -Starting Life in Another World- Chapter 4: The Sanctuary and the Witch of Greed (Re:ゼロから始める異世界生活 第四章 聖域と強欲の魔女), with art by Haruno Atori and composition by Yu Aikawa began serialization in Comic Alive's November 2019 issue on September 27, 2019. [36] A fifth manga, titled Re:Zero -Starting Life in Another World- Chapter 5: Stars that Engrave History began serialization under the Comic Alive+ label on the ComicWalker website on February 19, 2024. [38] A manga anthology, titled Re:Zero -Starting Life in Another World- Official Anthology Comic (Re:ゼロから始める異世界生活 公式アンソロジーコミック, Re:Zero kara Hajimeru Isekai Seikatsu Kōshiki Ansorojī Komikku), was published by Media Factory on June 23, 2016.

[74] Akira cemented Otomo's reputation and the success of the animated adaptation allowed him to concentrate on film rather than the manga form in which his career began. [6] Katherine Dacey of MangaBookshelf called Akira one of manga's "greatest sci-fi epics. "[75] She also noted how Tetsuo and Kaneda seem like real teenage boys in the manga, not generic action figures like in the film's "grossly" simplified depiction of their relationship. Although stating that Akira's plot was still as topical as ever in the year 2009, Dacey felt that the art had not aged as gracefully. [75] In his reviews of the first three volumes of Akira, Mark Pellegrini of AIPT Comics strongly praised Otomo's art as "simple, but very lively" and called him a master at drawing architecture. [76][77] Pellegrini reviewed the series by making many comparisons to the animated film adaptation, calling the characterizations in the manga both "better and on par" with those in it.

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Anime News Network. Archived from the original on March 5, 2020. Retrieved January 3, 2020. ^ Costanza, Chrissy [@ChrissyCostanza] (March 21, 2020). "おはよう日本🤍 I hope you guys will be watching the new My Hero Academia today 😉😘" (Tweet). Retrieved March 21, 2020 – via Twitter. ^ Hodgkins, Crystalyn (February 27, 2021). "My Hero Academia Anime's 5th Season Previews Opening Theme in New Video". Anime News Network. Archived from the original on February 27, 2021. Retrieved February 27, 2021. SpecialSpecial"Clean-Up Duty, with the Slimes Audio Commentary Version"
Transliteration: "'Suraimu-tachi to Seisō Sagyō' Ōdiokomentarī Ban" (Japanese: 「スライムたちと清掃作業」オーディオコメンタリー版)N/AN/ADecember 27, 2020 (2020-12-27) A special broadcast of Episode 4 featuring audio commentary provided by Azusa Tadokoro (Ryoma), Yūki Kuwahara (Eliaria), and Marika Kouno (Miya). Season 2[edit] StoryEpisodeTitle [86][d]Directed by [e]Written by [e]Original air date [87][a]131"Ryoma and the New Plan"
Transliteration: "Ryōma to Atarashī Keikaku" (Japanese: リョウマと新しい計画)UnknownUnknownJanuary 9, 2023 (2023-01-09) Ryoma gets used to life in the city of Gimul after parting ways with the Jamil family. Two customers attempt to cause trouble at his laundry shop, but they fail and are arrested, leading Ryoma to create a sturdy polymer using the sticky slimes to reinforce the windows and keep intruders out. In the occasion, he also discovers one of his poison slimes evolved into a medicinal slime, capable to create antidotes and antibiotics after the slime drank some antidote he dropped by accident. During another visit to the gods' realm, Ryoma meets Tekkun, God of Wine and Craftsmanship who commends him for his works. Ryoma orders a huge sum of bottles for the new medicines he created with the Merchant Guild, who agrees to buy all his production.
[20] Further more, because of the shooting position, the ball is lower than a usual shot. Instead of shooting the ball over one's head, the Phantom Shot releases from the chest. The opponent naturally looks lower because of the ball's position, so his view is limited. By a fast release, Kuroko can shoot the ball through the opponents field of vision, like a floater with less arc. [21] Using the Phantom Shot, Kuroko made the first basket in front of Murasakibara, the tallest player in all of Japan, thus scored the first point against Yōsen in the whole tournament. Kuroko used his Phantom Shot in the whole Yōsen match, and Murasakibara could not block any of them, though Kuroko missed some himself. However, as explained by Akashi, if he were to keep using this move, like his vanishing drive, it would diminish his weak presence, causing him to stand out and be noticed by the crowd, disallowing him to become a shadow ever again, since the Phantom Shot requires Kuroko to hold the ball. The secret to stopping this shot however, is backing off and keeping distance to Kuroko. That way, the field of vision will not be limited downwards and the ball is visible. Kasamatsu is the first one to figure this out, after which he successfully closed in on Kuroko and blocked the shot. Quasi-Emperor Eye Kuroko's Quasi-Emperor Eye To use his misdirection Kuroko, needs to analyze and predict the movements of his opponents.