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I find it quite the fascination of not just the OST that Horimiya has, but more of less its visuals and the intended picture of how people are supposed to perceive both the small and big moments, and this is something that I have to give the animators credit for. Starting off with the OP, it's interesting that there's 2 variations of Miyamura's theme: the 1st half where Miyamura is just like his old self, from reaching for the cube alone to most characters feeling dejected and frustrated, to the 2nd half where Hori's hand reached out for Miyamura with the cube, to the director's credit roll of him slicing the monochrome feel to showcase the colours of life with happiness overflowing. Capping off with the ED, it's using the twixt of a mix of animation in a dress-up model style between the central couple. Even with scenes that are depicted in the style of the OP of the potential couple-like feels, it's these Easter Eggs that not everyone will notice, but I thought it's worth mentioning. As for both OP and ED, it sounds great, no faults there.
If I can sum Horimiya up in a quote, it'd be this one by the famous Jamaican singer-songwriter Bob Marley:
“You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
Retrieved May 28, 2022. ^ "Overlord, Vol. 17 (manga)". Yen Press. Archived from the original on December 6, 2022. Retrieved December 5, 2022.
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