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" Opinions of the series' sound and music have been somewhat mixed. Martin positively noted the soundtrack as the strongest production point of Hunter × Hunter, and was satisfied with both the English translation of the script and Ocean's voice overs. [13] Tucker found the music satisfactory and improved as the series progressed, but did not think it lived up to its potential. [182] Kimlinger agreeably felt the musical score to be appropriate in most instances, but criticized the English dub as "a letdown since day one". [14][15] 2011 series[edit] Madhouse's 2011 adaptation was met with near-universal critical acclaim. Adrian Marcano from Inverse considered Hunter x Hunter 2011 to be one of the greatest anime series ever. He said that the anime set itself apart with one of the greatest story arcs in anime history in which the villain, not the hero, takes the anime to instant classic status. He also said that, "It is in the 2011 version where we see probably one of the best story arcs in anime history: the Chimera Ant Arc. "[183] According to Movie News Guide and Latin Post, the Madhouse's 2011 version received more viewers not only in Japan but also around the world, particularly in North America. [184][185] Digital Fox Media's Michael Basile of Fox Sports Digital Media praised the animation quality of the new adaptation, "the animation actually appears to get better and better as the series progresses. The color palette can shift from vibrant and inviting to grim and menacing at the drop of a hat, the character designs are unique and appealing, the CG is very minimal, and the action sequences are some of the best that the shōnen genre has ever produced, on-par with the best works of Studio Bones.

^ Landau, Ronnie (30 October 2010). The Seven deadly Sins: A companion. Lulu. com. ISBN 978-1-4457-3227-5. ^ "CCC, 2302-3".

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Mitsuki told Boruto that they can stop the creature if they kill the summoner. Boruto refused to kill his friend, prompting Mitsuki to restrain him with a snake clone, which he defeats after Mitsuki leaves. Boruto fighting Nue. When he finds Mitsuki, he stops him by clashing with Sumire. She proclaimed that the girl they knew never existed. As Boruto's Dōjutsu actives, Nue arrives from a portal and takes Sumire into its dimension, leading to Boruto and Mitsuki following her. Inside, Boruto began looking for Sumire, only to be attacked by Nue. As his right eye realised the weak point the creature, Boruto and Mitsuki manage to immobilise it, leading to Sumire stepping in to defend it. Talking her out of revenge, Boruto comments that Nue won't blow them all up as it viewed Sumire as its parent. Letting go of her anger, the Gozu Tennō is weakened, leading to the dimension they reside in to begin crumbling. Boruto reached for Sumire and convinced her to join in escaping. Dororo (どろろ) Voiced by: Minori Matsushima (1969), Rio Suzuki (2019) (Japanese); Chaney Moore (2019)[6] (English) Voiced by: Ikue Ōtani (Japanese); Bret Walter (English) (video game) Dororo is an orphaned thief who joins Hyakkimaru in his travels and adventures. For the better part of the series the viewer is led to believe Dororo is a boy. In the original manga and 1969 anime adaptation, Hyakkimaru learns that Dororo is a girl; with the latter freaking-out if Hyakkimaru knows (in the 2019 anime it is revealed early on, though Hyakkimaru makes no note of it. Due to his soulsight, it is doubtful he knows what gender is). Raised by her parents as a boy, Ojiya was the only other female in her formative years and Dororo adopted the masculine speech pattern (rude and abrasive) and ambling stances of the bandits around her. Dororo's father, Hibukuro, was wounded by a samurai official (in the 2019 anime he is betrayed by his 2nd-in-command, Itachi) and later died.