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2024 As part of Saudi Arabia’s Vision 2030 project, the kingdom wants 100 million visits annually by the end of the decade, and hopes tourism can contribute at least 10% of the country’s economy. —Lionel Lim, Fortune Asia, 28 Feb. 2024 The kingdom’s ambition to lead in renewable energy and AI was clear, with initiatives aimed at positioning Saudi Arabia as a hub for innovation and sustainable development. —Mark Minevich, Forbes, 25 Feb. 2024 The wealth and prestige of whole kingdoms rode the waves with them. —Jeremy Kahn, Fortune, 20 Feb.

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^ シャングリラ・フロンティア(13) ~クソゲーハンター、神ゲーに挑まんとす~ (in Japanese). Kodansha. Archived from the original on April 22, 2023. Retrieved April 22, 2023. ^ シャングリラ・フロンティア(13)エキスパンションパス ~クソゲーハンター、神ゲーに挑まんとす~ (in Japanese). Kodansha. October 14, 2020. Archived from the original on January 14, 2021. Retrieved September 22, 2021. ^ 『シャングリラ・フロンティア シャンフロチャンネル』 #49 (2022. 7. Sports Kyunghyang (in Korean). Naver. Retrieved April 11, 2022. ^ Moon Ji-yeon (July 6, 2022). "제1회 청룡시리즈어워즈 후보 공개.
These people become much more important in Part 2. Previously, Diop’s father Babakar (Fargass Assandé) was the only character who felt like a living, breathing human being with a recognizable personality, and he was already long dead by the time the story began. This time around, every character extends beyond their mere plot function starting with Diop himself, who not only feels more debonair, but more conflicted, and brims with anger and intensity after being backed into a corner by familiar foes. The difference between the two seasons is quite stark in this regard. Even the most minor characters leave lasting impressions, like Pellegrini’s scheming financial advisor Philippe Courbet (Stefan Crepon), who only features in a handful of scenes but has a mysterious, serpentine presence. While the season frequently breaks the promises of its cliffhangers, its narrative still feels more incisive than Part 1. “Diop and Pellegrini’s dueling revenge ploys unfold during a string of charity events organized by Pellegrini’s foundation. While these parties and concerts function mostly as backdrops, they continue to imbue the series with relevant subtext (in this case, about the perils of billionaire philanthropy). Where characters like Diop continue to shoulder the real brunt of systemic racism — his father, falsely accused of jewel theft, was an easy target in Pellegrini’s insurance scam — the show’s wealthy villains use philanthropy towards less-fortunate, non-white peoples both as their public-facing personas and as money-laundering schemes. Lupin Part 2 Images17 ImagesThe challenge with a villain like Pellegrini is that he makes it damn near impossible to speak truth to power since he owns so much of the police force and can so easily have dissenting journalists killed. He’s an embodiment of systemic rot, and Hervé Pierre personifies his power in delightful fashion; the stench of his arrogance is nauseating, even when the character doesn’t speak.