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[88] However, she wrote that Araki's art had gotten even more "physically improbable," making it difficult to distinguish body parts. [88] When discussing his views on having characters die in a series, writer Gen Urobuchi cited Battle Tendency's Caesar Zeppeli as a character who became "immortal" thanks to his death. [89] Reviewing Stardust Crusaders, Silverman enjoyed seeing Part 2's Joseph team up with new protagonist Jotaro and was impressed that Araki was able to keep Dio out of Part 2 completely, only to bring him back for Part 3. [90] She initially called the replacement of Hamon with Stands both understandable and a bit of a disappointment, since the "insane physical abilities and contortions" caused by the former were a large source of the fun in the first two parts. [90] Silverman later described Stand battles as exciting and creative in subsequent reviews. [91][92] Anime News Network had both Silverman and Faye Hopper review the first volume of Part 4. Silverman called the beginning slower and not as instantly engrossing as the previous parts, but felt this allowed Josuke, whom she and Hopper both described as kinder than the previous protagonists, to develop as a character. Hopper stated that Diamond Is Unbreakable is sometimes criticized for a "lack of a strong narrative throughline" in comparison to other parts, but argued that this is one of its greatest strengths as it allows the main characters to "simply be, lending them an amiable humanity that none of the over-the-top archetypes in the first 3 Parts ever had. "[93] Both Screen Rant's Steven Blackburn and Jordan Richards of AIPT Comics called Golden Wind a breath of fresh air for JoJo's Bizarre Adventure by deviating from the basic formula and following Giorno, son of villain Dio Brando, as he looks to cement a reputation and build a criminal empire. [94][95] Jenni Lada of Siliconera also praised the protagonist Giorno and said the first volume of Part 5 shows how skilled Araki is at getting people quickly invested in a character and story. She wrote, by giving readers a look at Giorno's past and insights into the person he is now, it emphasizes why he is compelling; "We're introduced to his dream and see him take his first steps toward it.

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Ces quatre jouets étaient les mêmes que les anciens Avatars avaient choisis des générations durant lorsqu'ils étaient enfants, montrant ainsi qu'Aang était la réincarnation de l'Avatar. Il existe un test similaire qu'un enfant doit réussir pour être reconnu en tant que réincarnation d'un Tulku Lama dans le bouddhisme tibétain. Selon le livre Mystiques et Magiciens du Tibet d'Alexandra David-Néel, "un certain nombre d'objets tel que des rosaires, des instruments rituels, des livres, des tasses de thé. sont placés ensemble, et l'enfant doit choisir ceux qui ont appartenu au dernier tulku, montrant ainsi qu'il reconnaît lesquels étaient à lui dans sa vie antérieure. Éléments[modifier | modifier le code] L'Avatar s'appuie sur les quatre éléments classiques les plus connus : l'eau, la terre, le feu et l'air. Bien que chacun ait ses propres variations, presque toutes les philosophies antiques les incorporent d'une certaine manière. Dans le générique, chaque élément est accompagné par deux caractères, le premier qui signifie l'élément en ancien chinois (Seal Script), et le deuxième correspond à un attribut en chinois plus moderne : L'eau (水) est associée avec « » (Chinois : 善; Pinyin : shàn), qui veut dire « bienveillant » ou « adaptatif ». L'hydrokinésie offre la maîtrise de l'eau sous toutes ses formes, que ce soit solide, liquide ou gazeuse. Les maîtres de l'eau ayant un niveau élevé pourront alors à volonté, en combat, changer l'état de l'eau, passant de cascades à icebergs ou encore brouillard instantanément. ^ Zac Bertschy & Gia Manry (October 15, 2010). "Longview - ANNCast 54". Anime News Network. Archived from the original on October 4, 2013. Retrieved September 28, 2013. ^ Loveridge, Lynzee (November 3, 2014).