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20: Showdown at Alubarna (Advance Review)". Active Anime. Archived from the original on December 25, 2011. Retrieved December 24, 2011. ^ Vuk, Mario (May 20, 2002). "Comic-Besprechung – One Piece 14" (in German). Splash Comics. Archived from the original on September 13, 2012. Retrieved May 19, 2009. ^ Colbert, Isaiah (September 14, 2021). "I Just Read 1,025 Chapters Of One Piece, And It's A Damn Masterpiece".

Agency for Cultural Affairs. Retrieved April 2, 2021. ^ a b 11人いる! : 萩尾望都スペースワンダー (プチフラワーコミックススペシャル). NDL Online (in Japanese). National Diet Library. Retrieved April 2, 2021.

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21 March 2020 The cover of the Fullmetal Edition of Volume 9 of Fullmetal Alchemist Manga has been revealed, Envy is featured on the cover. It is set to be released on 12 May 2020. Volume 10 is set to be released on 11 August 2020. and Volume 11 is set to be released on 10 November 2020. Neither volumes currently have covers online as of yet. 05 December 2019 The cover of the Fullmetal Edition of Volume 8 of Fullmetal Alchemist Manga has been released, Scar is featured on the cover. It is set to be released on 11 February 2020. Volumes 9 & 10 also have release dates set online. Volume 9 is set to be released on 12 May 2020. Volume 10 is set to be released on 11 August 2020. Neither volumes currently have covers online as of yet. It was originally even more anime-like before becoming an All-CGI Cartoon. The original trailer is often compared to Pretty Cure/Glitter Force and featured the protagonist with a huge Idiot Hero, which the anime concept was a complete success. The finalized cartoon is in CGI but still keeps a lot of its Japanese influences (for example, in some of Marinette's trains of thought, her mental images are drawn in the style of black-and-white manga). The 2007 adaptation of Valérian called Time Jam: Valerian & Laureline is another. The Podcats, a French series animated in Canada by the company who did Clash of the Dinosaurs and some of the effects for Underworld: Awakening. Iginio Straffi's shows Winx Club and Huntik: Secrets & Seekers (from Italy) were designed in an anime style, and every character has hair highlights and eyes reminiscent of characters from (respectively) Shoujo and Shōnen series. Both heavily feature transformation sequences. They don't use Limited Animation, though. Especially so with the Art Shift in Winx Club's 8th season. The Rainbow Magic movie, due to the character designs and animation style; no surprise, as it was co-produced by The Answer Studio. Robotboy, which is primarily visible in the Astro Boy-esque premise of the series.