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^ a b Hodgkins, Crystalyn (September 24, 2022). "Tomo-chan is a Girl Anime Reveals New Video, 2 New Cast Members". Anime News Network. Retrieved September 24, 2022. ^ Taichi, Yō [@Taicho_Taichi] (January 4, 2023). 【お知らせ】TVアニメ『トモちゃんは女の子!』に「三船」役で出演させて頂きます💓 小川と2人でわちゃわちゃっと作品を盛り上げますよ!種﨑さんと一緒の収録は刺激がいっぱいで本当に楽しくて!今回コンビ的な役なので嬉しい〜〜幸せだ😍 まもなく放送スタートです。是非ご覧ください!! (Tweet) (in Japanese).

The author was attempting to mix normal basketball play with overpowered abilities, but this creates an infinite number of problems such as: If Midorima can shoot 100% from anywhere on the court (even full-court shots somehow, which is physically impossible), why don't they just set screens or create ball movement in order to get him more open? Why doesn't Kise just copy whatever ability he needs at any moment in time whenever he needs that exact ability? Why does Kuroko go unnoticed still even though people know that his quirk is going unnoticed? Why does Kagami's ability defy the laws of physics? Why is Aomine so overpowered to the point where he can seemingly do anything he wants? The author was attempting to still have the characters play normal basketball even with these broken abilities, but the author didn't realize just how much these abilities change the core function of how the sport is played. Instead of going all the way and changing it fully, he mixes it with traditional basketball, and he uses the abilities as a cheap way to let us know who the important characters are instead of being able to come up with actual crafty basketball skills that normal people have in real life.
Even the Coach has a random inhuman ability for no reason, which normally serves as plot convenience to use it as an excuse for her to know when Kagami should play or not whenever he gets injured. Instead of having a medical team like in real life and having to make a life-altering decision such as deciding whether to risk it all and play for the current time and risk making your injury career-ending or to suck it up and let it heal by ending the current season. Instead of being faced with tough decisions, the coach just magically knows exactly what Kagami's health status is and if he should continue playing or not. Why doesn't she become a doctor or something and actually do something more important than being a basketball coach with an ability like this? Could you imagine how helpful she would be? But no, she is just a basketball coach for a random school for some reason.

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Tamaki takes Suzume to the ruins of Suzume's old house, where Suzume finds the old door and enters with Daijin and Sadaijin. Once in the Ever-After, Sadaijin changes its form and distracts the worm, while Suzume tries to wake up Souta, who returns to his human form. Realizing the consequences of his freedom, Daijin sacrifices himself to become a keystone, and along with Sadaijin who likewise turns back into a keystone, they are used by Souta and Suzume to lock the worm permanently in the Ever-After. While still in the Ever-After, they see a young girl from afar. Suzume realizes the young girl is herself, from 12 years ago. Suzume decides to give her young self the childhood chair that was given to her, by her mother as a birthday present. She assures her young self the chair will provide her with the strength to overcome the tragedy and continue to grow. The young Suzume becomes energized and decides to leave the Ever-After and return (in the past), leading to her being found by Tamaki twelve years prior. Suzume and Souta leave the Ever-After themselves (to the present), with Souta returning to Tokyo, while Suzume and Tamaki return to Kyushu, revisiting the friends Suzume made along the way. Sometime later, back in her hometown in Kyushu, Suzume makes her way to school. To her surprise, she runs into Souta again, at the same location where they first met. YuYu Hakusho. Vol. 7. Viz Media. ISBN 1-59116-812-0. ^ Togashi, Yoshihiro (October 2005). Chapter Index. YuYu Hakusho. Vol. 8. Viz Media.