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"Chainsaw Man Ranks #1 on U. S. Monthly Bookscan October List". Anime News Network. Archived from the original on July 9, 2022. Retrieved November 7, 2021.

External links Official website (in Japanese) Demon Slayer: Kimetsu no Yaiba official manga website at Weekly Shōnen Jump (in Japanese) Demon Slayer: Kimetsu no Yaiba official manga English website at Viz Media Demon Slayer: Kimetsu no Yaiba (manga) at Anime News Network's encyclopedia vteDemon Slayer: Kimetsu no Yaiba by Koyoharu GotougeMediaManga Chapters Anime Episodes Season 1 2 3 Films Mugen Train Swordsmith Village Hashira Training Video games The Hinokami Chronicles Characters Tanjiro Kamado Nezuko Kamado Music "Gurenge" "Kamado Tanjiro no Uta" "Homura" "Akeboshi" "Kizuna no Kiseki" "Koi Kogare" Related Koyoharu Gotouge Before Demon Slayer: Kimetsu no Yaiba vteWeekly Shōnen Jump: 2010–20192010 Oumagadoki Zoo Enigma 2011 Magico St&rs Nisekoi 2012 Haikyu!! Saiki Kusuo no Sai-nan Barrage Assassination Classroom Cross Manage Shinmai Fukei Kiruko-san Food Wars!: Shokugeki no Soma 2013 World Trigger Jaco the Galactic Patrolman Isobe Isobē Monogatari 2014 Hinomaru Sumo My Hero Academia School Judgment: Gakkyu Hotei 2015 Black Clover Naruto: The Seventh Hokage and the Scarlet Spring Straighten Up! Welcome to Shika High's Competitive Dance Club 2016 Yuuna and the Haunted Hot Springs Demon Slayer: Kimetsu no Yaiba Boruto: Naruto Next Generations The Promised Neverland 2017 We Never Learn Dr. Stone Robot × LaserBeam 2018 Act-Age Jujutsu Kaisen I'm From Japan Teenage Renaissance! David The Comiq Chainsaw Man 2019 Yui Kamio Lets Loose Samurai 8: The Tale of Hachimaru Mission: Yozakura Family Mitama Security Dr. Stone Reboot: Byakuya Agravity Boys 1968–19791980–19891990–19992000–20092010–20192020–present vteTezuka Osamu Cultural PrizeGrand Prize1990s Fujiko Fujio for Doraemon (1997) Jiro Taniguchi and Natsuo Sekikawa for the trilogy Bocchan No Jidai (1998) Naoki Urasawa for Monster (1999) 2000s Daijiro Morohoshi for Saiyū Yōenden (2000) Reiko Okano and Baku Yumemakura for Onmyōji (2001) Takehiko Inoue for Vagabond (2002) Fumiko Takano for The Yellow Book: A Friend Named Jacques Thibault (2003) Kyoko Okazaki for Helter Skelter (2004) Naoki Urasawa for Pluto (2005) Hideo Azuma for Disappearance Diary (2006) Ryoko Yamagishi for Terpsichora (2007) Masayuki Ishikawa for Moyashimon (2008) Fumi Yoshinaga for Ōoku: The Inner Chambers and Yoshihiro Tatsumi for A Drifting Life (2009) 2010s Yoshihiro Yamada for Hyouge Mono (2010) Motoka Murakami for Jin and Issei Eifuku and Taiyō Matsumoto for Takemitsuzamurai (2011) Hitoshi Iwaaki for Historie (2012) Yasuhisa Hara for Kingdom (2013) Chica Umino for March Comes in like a Lion (2014) Yoiko Hoshi for Aisawa Riku (2015) Kei Ichinoseki for Hanagami Sharaku and Kiyohiko Azuma for Yotsuba&! (2016) Fusako Kuramochi for Hana ni Somu (2017) Satoru Noda for Golden Kamuy (2018) Shinobu Arima for Jitterbug The Forties (2019) 2020s Kan Takahama for Nyx no Lantern (2020) Kazumi Yamashita for Land (2021) Uoto for Orb: On the Movements of the Earth (2022) Kiwa Irie for Yuria-sensei no Akai Ito (2023) Special
Award1990s Toshio Naiki (1997) Shotaro Ishinomori (1998) Fusanosuke Natsume (1999) 2000s Frederik L. Schodt (2000) Akira Maruyuma (2001) Shigeru Mizuki (2003) Tarō Minamoto (2004) Kawasaki City Museum (2005) Kousei Ono (2006) International Institute for Children's Literature, Osaka Prefecture (2008) 2010s Yoshihiro Yonezawa (2010) Weekly Shōnen Jump (2012) Fujiko Fujio (A) (2014) Chikako Mitsuhashi for Chiisana Koi no Monogatari (2015) Kyoto International Manga Museum (2016) Osamu Akimoto for Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo (2017) Tetsuya Chiba for Ashita no Joe (2018) Takao Saito for Golgo 13 (2019) 2020s Machiko Hasegawa for Sazae-san (2020) Koyoharu Gotouge for Demon Slayer: Kimetsu no Yaiba (2021) Kazuo Umezu for Zoku Shingo: Chiisana Robot Shingo Bijutsukan (2023) Award for
Excellence Moto Hagio for A Cruel God Reigns (1997) Yūji Aoki for Naniwa Kin'yūdō (1998) Akira Sasō for Shindō (1999) Minetarō Mochizuki for Dragon Head (2000) Kotobuki Shiriagari for Yajikita in Deep (2001) Kentaro Miura for Berserk (2002) Creative
Award Yumi Hotta and Takeshi Obata for Hikaru no Go (2003) Takashi Morimoto for Naniwadora ihon (2004) Fumiyo Kōno for Town of Evening Calm, Country of Cherry Blossoms (2005) Asa Higuchi for Big Windup! (2006) Nobuhisa Nozoe, Kazuhisa Iwata and Kyojin Ōnishi for Shinsei Kigeki (2007) Toranosuke Shimada for Träumerei (2008) New Artist
Prize Suehiro Maruo for The Strange Tale of Panorama Island (2009) Haruko Ichikawa for Mushi to Uta (2010) Hiromu Arakawa for Fullmetal Alchemist (2011) Yu Itō for Shut Hell (2012) Miki Yamamoto for Sunny Sunny Ann! (2013) Machiko Kyō for Mitsuami no Kami-sama (2014) Yoshitoki Ōima for A Silent Voice (2015) Yuki Andō for Machida-kun no Sekai (2016) Haruko Kumota for Descending Stories: Showa Genroku Rakugo Shinju (2017) Paru Itagaki for Beastars (2018) Sansuke Yamada for Areyo Hoshikuzu (2019) Rettō Tajima for Mizu wa Umi ni Mukatte Nagareru (2020) Kanehito Yamada and Tsukasa Abe for Frieren (2021) Natsuko Taniguchi for Kyōshitsu no Katasumi de Seishun wa Hajimaru and Konya Sukiyaki da yo (2022) Ganpu for Danchōtei Nichijō (2023) Short Story
Award Hisaichi Ishii for Gendai Shisō no Sōnanshātachi (2003) Risu Akizuki for OL Shinkaron (2004) Rieko Saibara for Jōkyō Monogatari and Mainichi Kaasan (2005) Risa Itō for One Woman, Two Cats, Hey Pitan!, Onna no Mado (2006) Hiromi Morishita for Ōsaka Hamlet (2007) Yumiko Ōshima for Cher Gou-Gou.

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There are a few characters that I felt were somewhat more interesting. Sasha probably has the most personality out of all the characters and is at least likeable. There is also a Survey Corps officer who has an obsession with studying the titans who also adds much needed personality to series. I am conflicted however, on one hand the comic relief these two characters provide make them at least likeable but the comedy in Attack on Titan is so silly and contrived that it interferes with the otherwise grim atmosphere and messes with the tonal consistency of the show. I don't have any problems with a show having some contrast, but it should be appropriate to the show and not take the viewer out of the story. A good example would be Paranoia Agent, there is an episode dedicated to three people trying to commit suicide that is quite humorous but stays in tune with the show's dark tone while also making for interesting social commentary on Japan's high suicide rate in real life and plays into the overarching themes of the series. It is natural and fits the show with its dry humor, in comparison Attack on Titan literally pulls you out of an serious scene for a cheap laugh, like Armin and Reiner gawking at a pretty blonde girl while they are running for their lives.
There are some other problems, such as pacing issues where the series just grinds to a screeching halt and drags on for a fair bit. A lot of other parts of the story dip into shounen levels of silliness and predictability. I’m still not entirely sure how the transformation aspect of the show works either, besides something about biting your thumb while you have some kind of goal in mind or something very ill thought out and almost random. I suppose these are things that aren’t meant to be looked into too deeply. ^ Mays, Jonathan (December 16, 2006). "Cowboy Bebop, Samurai Champloo to Air in Canada". Anime News Network. Archived from the original on October 24, 2021. Retrieved January 8, 2022. ^ "SBS Television - What's On - Thu 23rd Mar 2006". SBS. Archived from the original on April 26, 2006. Retrieved January 21, 2022. ^ "SBS Television - What's On - Thu 29th Jun 2006". SBS.