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[3] ^ a b English translated titles are taken from Crunchyroll. [11] ^ a b c d Production staff information is taken from the ending credits of each episode. References[edit] ^ Hodgkins, Crystalyn; Hazra, Adriana (September 24, 2022). "Mashle: Magic and Muscles Anime's Promo Video Reveals Staff, Cast Member". Anime News Network. Archived from the original on September 28, 2022. Retrieved September 28, 2022. ^ "My Dress-Up Darling, Vol. 10". Square Enix. Retrieved September 29, 2023.

5 Grand Blue, Chapter 74 Grand Blue, Chapter 73. 5 Grand Blue, Chapter 73 Grand Blue, Chapter 72 Grand Blue, Chapter 71 Grand Blue, Chapter 70 Grand Blue, Chapter 69 Grand Blue, Chapter 68 Grand Blue, Chapter 67 Grand Blue, Chapter 66 Grand Blue, Chapter 65. 5 Grand Blue, Chapter 65 Grand Blue, Chapter 64 Grand Blue, Chapter 63 Grand Blue, Chapter 62. 5 Grand Blue, Chapter 62 Grand Blue, Chapter 61. 5 Grand Blue, Chapter 61 Grand Blue, Chapter 60 Grand Blue, Chapter 59 Grand Blue, Chapter 58 Grand Blue, Chapter 57 Grand Blue, Chapter 56 Grand Blue, Chapter 55. 5 Grand Blue, Chapter 55 Grand Blue, Chapter 54 Grand Blue, Chapter 53 Grand Blue, Chapter 53 Grand Blue, Chapter 52. 5 Grand Blue, Chapter 52 Grand Blue, Chapter 51 Grand Blue, Chapter 50 Grand Blue, Chapter 49. 5 Grand Blue, Chapter 49 Grand Blue, Chapter 48 Grand Blue, Chapter 47. 5 Grand Blue, Chapter 47 Grand Blue, Chapter 46 Grand Blue, Chapter 45. 5 Grand Blue, Chapter 45 Grand Blue, Chapter 44 Grand Blue, Chapter 43 Grand Blue, Chapter 42. 5 Grand Blue, Chapter 42 Grand Blue, Chapter 41.

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However, over the next two years on battlefields, Yuujirou's desire to fight and bloodlust grows exponentially and mercilessly kills everyone who stands in his way, making him the man he is today. It may be that compared to his youth, the current Yuujirou has had the chance to calm his personality and temper his instincts. Perhaps as an extension of his manners and desire to project an image of sophistication, Yuujirou can be an excellent company to anyone who has earned his respect or consideration. In these instances, he has no problem getting along with the people he has acknowledged. He accepted Baki's request for a quiet dinner together, where despite Baki's resentment towards him, he admitted that he enjoyed the meal with Yuujirou immensely. He's also gone out for drinks with Doppo Orochi, possibly because Doppo gave him an exciting fight in the past and managed to survive. He also rejects the Kaiou title given to him by Kaiou Kaku by claiming that his feelings are enough. He later complemented Izou Motobe to Musashi by claiming Motobe fights for real and is ready to do anything to win while commenting on how Motobe was rewarded for his hard work by finally being able to face Musashi where Motobe could use all of his skills and moves. In fact, as a result of Yuujirou's inhumanly high testosterone level, higher than that of any creature on Earth, along with an extension of his arrogance, has made scientists like Kureha believe that Yuujirou thinks of himself as the only truly "male" specimen on the world, and view everyone else as "women" or "wimps" who are under the thumb of his dominance, no matter whether they are young, old, or biologically male or female, they are all equally beneath him in his view. As evidence of this, Yuujirou raped Joe William, a visibly very masculine man, both physically and internally, in such a depraved manner it left the man traumatized and in his own words "realize the woman within him" to the extent that he has risked his life in dangerous adventures as a coping mechanism to reaffirm his masculinity. Much later, and after facing Nomu no Sukune the 2nd, he threatened to rape Tokugawa if he continued to speak after being irritated by his earlier words, which caused Tokugawa to feel both shocked and flattered. La tante Sœur du père, elle recueille les enfants à la mort de leur mère, elle vit avec sa fille et un homme qui participent tous deux aux efforts de guerre. Au début relativement affectueuse, son aigreur, sa mauvaise volonté envers les deux enfants auront raison de leur bonne volonté. Ses critiques incessantes concernant leur inactivité dans l'effort de guerre ainsi que l'appropriation de leur biens finiront par pousser Seita et Setsuko à partir et à s'installer seuls. La mère Elle semble douce. Comme elle est cardiaque, Seita a tendance à la protéger. Elle mourra dans les heures suivant le bombardement de Kobe. Le policier C'est le seul adulte qui sera compréhensif vis-à-vis du comportement de Seita. Autour du film[modifier | modifier le code] Akiyuki Nosaka — l’auteur de la nouvelle La Tombe des lucioles dont la sœur mourut de malnutrition pendant la guerre — a toujours refusé que sa nouvelle soit adaptée au cinéma classique[4] : « Il est impossible d’arriver à retranscrire la terre brûlée et les champs de ruines qui constituent littéralement l’épine dorsale de mon roman[5]. » Elle a toutefois fait l'objet d'une adaptation non animée pour la télévision en 2005[6]. Le réalisateur dit s'être inspiré de Paulette, la petite fille du film Jeux interdits interprétée par Brigitte Fossey, pour la gestuelle de la petite fille (Setsuko)[7]. L'un des points les plus importants dans cette œuvre est le réalisme.
[12] The British-dubbed version had its American première at IFC Center in New York City on 17 October 2008, and was distributed in theatres by GKIDS in collaboration with the Weinstein Company and under the shorter title of just Azur & Asmar. It was originally planned to run for one week in New York, before touring to other cities. However, due to the success of the first week (all screenings were sold out)[13] its residency was extended for a second week of screenings. When these too sold out, a "third and final" week was announced. [14] Cities it had toured to included Chicago, Columbus, Tucson, Hartford, Seattle, and Washington, D. C.