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Retrieved March 4, 2023. ^ Morrissy, Kim (February 11, 2020). "Jump Editor-in-Chief Explains What's Unusual About Demon Slayer's Success". Anime News Network. Archived from the original on February 12, 2020. Retrieved February 11, 2020. ^ Parker-Dalton, Jacob (July 12, 2019). "David and Goliath: Hiroyuki Nakano and Takekawa Shingo in New Interview". OTAQUEST. Archived from the original on October 16, 2021. Retrieved October 16, 2021.

Again, the choice of honorifics tells you a lot about how one character feels about another. In One Piece, Nami always refers to Sanji as “Sanji-kun,” even though Sanji is technically one year older than her. This clues us into two insights: that Nami has a soft spot for Sanji, but also that she knows she can manipulate him to do what she wants, as if she were a senpai (see below!) and he were a younger boy. Chan Chan is kinda-sorta like the female version of kun, except that it’s cuter-feeling. It also can be a bit broader than kun, gender-wise, in referring to any child or pet—specifically because of that cuteness connotation. Chan also carries a vibe of sweetness and innocence. As such, chan can also be a term of endearment, especially for older women. For example, you can use it for a granny-type who’s a total sweetheart. Chan is also a common way for girls or women who are friends to refer to one another. But if a guy in a romance anime starts referring to a girl as chan, that means he thinks she’s cute and is probably developing feelings for her. Basically, my personal rule-of-thumb boils down to kun being boy-ish and for buds, and chan being girl-ish, cute, and playful.

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[97] Seven Seas Entertainment's localization of the manga was able to reach The New York Times Manga Best Sellers and ICv2's charts. [98][99] The anime series saw similar success and its home media made appearances on Oricon's weekly selling charts. [100][101] In April 2014, No Game No Life was one of the top recorded anime series on Sony's Torne;[102] a poll by AT-X ranked the series as one of 2014's top anime series. [103] Anime News Network had four editors review the first episode of the anime: Carl Kiminger, Rebecca Silverman, Theoron Martin, and Hope Chapman. [104] Opinions summarized: Kimlinger enjoyed the premise and the concepts of games as battles; Silverman and Martin disliked the characters; and Chapman expressed absolute disdain, writing "nothing has made me roll my eyes, gag, or feel more irrationally angry this season than this insulting self-insert pandering trash heap". Carl Kimlinger continued the series, and published a positive review for the anime. [105] He wrote that the premise presented many flaws but were balanced out by other aspects: Sora and Shiro's "over-powered hero" archetype is balanced out by their flawed lifestyles, motives, and their "visible delight in crushing their enemies"; Stephanie Dola's mistreatment with gags and Sora and Shiro's growing respect towards her; and the harem aspect with Sora's apathy and interesting female characters. Regardless, Kimlinger praised the plot's "big games", calling them the reason to watch the series and described them as "steeped in trickery and strategy"; he added that despite knowing the protagonists would win, the fun is seeing how they do it. Kimlinger wrote the over-saturation art style will be an acquired taste for most viewers and praised how the animation really shines during the "big games", calling it an impressive display of fluidity and timing. [105] Kotaku's Richard Eisenbeis was also positive towards the series, praising the protagonists' dynamic, echoed Kimlinger's sentiments about the games, liked the animation, but noted his dislike for fan service featuring Shiro. [106] He also ranked the series as one of the top five anime series of 2014, and recommended it for viewers who like smart characters and gamer humor. Spinning Lotus – used against Kaiou Retsu and Jack Hanma. Soccer Ball Kick – used once against Jack Hanma. Shining Wizard – used once against Jack Hanma. Cord-Cut – involves cutting a nerve of an opponent; used once against Jack Hanma. Mach Punch – an extremely fast punch executed using progressive movement of the big toe, ankle, knee, hip, waist, shoulder, elbow and wrist; used once against Jack Hanma. Arm Breaker – Igari's original move; used once against Jack Hanma. Demon Face – used once against Jack Hanma. Backhand Blow – used once against Sikorsky. Axe Kick – used once against Sikorsky. Whip Strike – the user loosens up the whole body and treats it like a whip; used against Ryuukou Yanagi, Pickle and Yuujirou Hanma. Yawara – used once against Kaiou Ri.
Shizuka Mikazuki (三日月 閑, Mikazuki Shizuka) Voiced by: Tomori Kusunoki[6] (Japanese); Abby Trott[4] (English) Portrayed by: Mai Shiraishi[7] Shizuka is a young woman who used to work as a high-profile accountant (flight attendant in the live-action film, due to being composited with Yukari). She used to be in a very similar situation to Akira's work life, except it came at the hands of her father who controlled every aspect of her life. As a result, Shizuka grew into a reserved, overly-logical person with little to no care about her personal enjoyment of things. During the zombie apocalypse, this was only exacerbated as Shizuka became laser-focused on surviving, using her incredible resourcefulness to her advantage, but also not taking the time to mingle with other survivors. After several chance encounters with Akira and Kencho, she reluctantly joins them when they offer to take her in their RV, as she does not know how to drive. However, she slowly starts to open up to them and becomes inspired by their desire to live life to the fullest, eventually leading her and Akira to fall in love and start dating.